Arthur Verona Nr. 13: Casa D. A. Sturdza: 1883 casa; 1890, reparații tencuieli; 1891 mărirea sălii de mâncare și a bibliotecii, adaos dependință, arh. Filip Xenopol, arh. C. Sarvași; Pictor Arthur Verona Nr. 15: Casa Epaminonda Demitriu, antr. Leopold Schindl (Oana Marinache - ARHITUR, Parcelări private I, Asociația și Editura Istoria Artei, 2019)
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Casa Dimitrie Alexandru Sturdza, cu fața către Bd. Magheru, cea cu intrarea la Librăria Cărturești, și casa din spatele ei, cea cu Grădina Verona (aceasta), sunt diferite, nu au avut vreo legătură anume una cu alta când au fost construite, deși acum figurează amândouă la aceeași adresă, strada Pictor Arthur Verona 13-15. Se și văd diferențele la prima privire. Casa Dimitrie Alexandru Sturdza a fost recuperată de către moștenitori și aparține arhitectului Sturdza și închiriată librăriei Cărturești, Casa Epaminonda Demitriu a fost cumpărată de cei care au aceste librării. Casele fiind lipite spate în spate, la calcan, au făcut o străpungere și le-au unit, mulți crezând acum că este/ a fost o singură casă.
Referințe:
- Oana Marinache - ARHITUR, Parcelări private I, Asociația și Editura Istoria Artei, 2019
- Casa Sturdza din București
- Cărtureşti Verona
- Afaceri de success in vechituri restaurate. Carturesti: librarie in casa lui Dimitrie Sturdza
- Cărturești Verona în casa politicianului D. A. Sturdza
ChatGPT on the architectural style of the building at Arthur Verona 13-15: The building at Arthur Verona 13-15 in Bucharest, constructed in the interwar period, displays architectural elements characteristic of the Neo-Classical style. This style draws inspiration from the classical architecture of ancient Greece and Rome, emphasizing symmetry, simplicity, and grandeur.
Most Prominent Architectural Details:
- Symmetrical Facade: The building features a highly symmetrical facade, with evenly spaced windows and a central entrance, reflecting the balanced and orderly principles of Neo-Classical design.
- Arched Entrance: The main entrance is marked by a prominent arched doorway, framed by decorative moldings. This arched entryway serves as a focal point and adds a sense of grandeur to the building.
- Pediments: Above the windows, there are triangular pediments, which are quintessential elements of Neo-Classical architecture. These pediments add to the classical aesthetic and provide a formal, structured appearance.
- Cornices and Friezes: The building is adorned with detailed cornices and friezes along the roofline. These horizontal bands are intricately decorated with classical motifs, adding an element of elegance and refinement.
- Rusticated Stonework: The facade features rusticated stonework, particularly on the lower level. This type of stonework, with its rough-textured surface, provides a strong, sturdy base and contrasts with the smoother upper sections.
- Tall, Narrow Windows: The windows are tall and narrow, often framed with classical moldings. This vertical emphasis contributes to the building's elegant and stately appearance.
- Pilasters: The facade includes pilasters—flat, rectangular columns that project slightly from the wall. These pilasters are adorned with simple capitals and bases, adding to the building's classical feel.
- Balustrades: The building may feature decorative balustrades, particularly on any balconies or terraces. These stone railings are often intricately carved, adding a touch of sophistication.
- Classical Motifs: Decorative elements such as wreaths, garlands, and medallions are incorporated into the design, further emphasizing the classical influence.
Overall, the building at Arthur Verona 13-15 is a prime example of Neo-Classical architecture, characterized by its symmetrical layout, classical details, and elegant proportions. The use of classical elements such as pediments, cornices, rusticated stonework, and pilasters creates a timeless and dignified aesthetic that is characteristic of this architectural style.
