Nr. 29A colț Intr. Rigas, fostă Intrarea Germană, fostă Aleea gen. Algiu / 1930 expropriere pentru deschiderea aleii / 1933 în „Urbanismul" apare arh. St. Baloșin cu un / P+E in 1933 la nr. 29 / Imobil Ion G. Berceanu / 1934-1935 imobil P+7E+m, planuri martie, mai 1934, arh. State Baloșin, antr. Leopold și Carol Schindl; autorizație emisă în septembrie 1934 / Blocul ing. G. Berceanu pentru moștenitorii Algiu, P+8E, 6 milioane lei, str. Brezoianu 29A (60 de apartamente și garsoniere - octombrie 1934) / 1935 în planul de situație depus se indica că era "în execuție" (Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024)
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Oana Marinache, istoric de artă: Astăzi putem reconstitui istoria proprietății de la nr. 29-29A de la sfârșitul secolului al XIX-lea: în 1877 colonelul Ion Algiu adjudecă la licitație o proprietate vastă, pe care va ridica o casă proiectată de arh. și ing. Grigore Cerkez. În anii 1933-1938 aici se va ridica, în etape, un imobil de apartamente (cunoscut ca Blocul Berceanu și Blocul Algiu) după proiectul arh. State Baloșin de către antrepriza ing. Carol și Leopold Schindl. Mi se pare incredibilă această continuitate pe care o putem observa, timp de mai multe generații, căci proprietatea a ajuns la Nicolae Algiu, fratele colonelului și apoi la văduva sa, Ecaterina Algiu și fiicele lor, Maria Algiu Besso și Ifigenia Algiu Berceanu.
Intrarea Rigas are și ea o poveste incredibilă, pentru care am trudit mult în dosarele de sfârșit de secol XIX: Familia Sion a avut un proiect imobiliar interesant în zona Grădinii Cișmigiu, o parcelare privată deschisă din str. Brezoianu. Terenurile fuseseră ale lui C. Cantacuzino, iar moștenitorii săi le-au vândut în 1876 lui Const. Iliad Capeleanu. În 1877 are loc vânzarea unei porțiuni de teren către Ghiță Hagi Teodorache, pentru ca din 1881 proprietar să devină poetul Gheorghe Sion (1822-1892), descendentul unei familii boierești moldovenești, căsătorit cu Elisa. Cuplul a avut un fiu, Demir, mort la numai 23 de ani și două fiice, pe Maria (viitoarea doamnă Mateiu Caragiale) și Florica (viitoarea doamnă Eugen Voinescu, căsătorită cu celebrul diplomat și pictor). În 1899 aici se va ridica o reședință proiectată de arhitectul olandez Josef Schieffeleers, care conducea Societății Române de Lucrări și Construcții Publice, casa fiind apoi vândută în 1905 inginerului Gheorghe Balș, care o va și extinde. De asemenea, în Intrarea Rigas se mai află o splendidă vilă a dr. G. Stoicescu, creația neoromânească a arh. Ion D. Enescu. (Oana Marinache)
Referințe:
- Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024
- Top trei clădiri, trei arhitecți pe strada Brezoianu. (State Baloșin)
- Itinerar de arhitect: State Baloșin (Arhitectura 1906)
- State Baloșin (Arhitectura 1906)
- State Baloșin (Arhiva de Arhitectură)
- State Baloșin - comentariu critic
- Case de arhitecți din București
Mai 2024:
ChatGPT despre stilul arhitectural al clădirii din strada Ion Brezoianu 29 / Intrarea Rigas 29A:
The building at Ion Brezoianu 29, situated on Intrarea Rigas 29A, stands as a prominent example of mid-20th century modernist architecture in Bucharest. This style, often referred to as "modernist" or "international style," was characterized by an emphasis on simplicity, functionality, and the use of new materials and construction techniques. The building's clean lines, unadorned surfaces, and functional design elements are hallmarks of this architectural approach, which sought to break away from the ornate styles of the past and embrace a more streamlined and efficient aesthetic.
The most striking feature of this building is its use of horizontal lines and open spaces, which create a sense of flow and movement. The facade is dominated by a series of continuous balconies that wrap around the building, providing both functional outdoor space and a strong visual statement. These balconies, supported by slender columns, give the building a sense of lightness and transparency, as well as offering residents expansive views of the surrounding area. The use of horizontal bands and the emphasis on the horizontal axis are key elements of modernist architecture, reflecting a desire to create buildings that are both functional and visually coherent.
The building's facade is composed of smooth, white plaster, which enhances its clean, modern appearance. This material choice is typical of the international style, which favored the use of simple, unadorned surfaces that could be easily maintained and that emphasized the building's geometric forms. The white plaster also helps to reflect light, giving the building a bright and airy feel. This emphasis on light and openness is a key aspect of modernist architecture, which sought to create spaces that were both functional and pleasant to live in.
Windows play a crucial role in the design of this building, with large, horizontal windows that allow plenty of natural light to enter the interior spaces. These windows are often arranged in continuous bands, which further emphasize the building's horizontal lines and create a sense of unity and coherence. The use of large windows is another hallmark of modernist architecture, reflecting a desire to bring the outside in and to create a strong connection between the interior and exterior spaces.
The building's structure is also noteworthy for its use of reinforced concrete, a material that was becoming increasingly popular in the mid-20th century due to its strength and versatility. Reinforced concrete allowed architects to create larger, more open spaces without the need for load-bearing walls, which in turn enabled more flexible and innovative design solutions. The use of concrete is evident in the building's slender columns and cantilevered balconies, which give it a distinctive, modern appearance.
One of the key principles of modernist architecture is the idea that form should follow function, and this is clearly evident in the design of the building at Ion Brezoianu 29. Every element of the building's design serves a functional purpose, from the large windows that provide natural light and ventilation to the balconies that offer outdoor living space. The building's simple, geometric forms are not just aesthetically pleasing but also highly practical, reflecting a commitment to creating buildings that are both beautiful and functional.
The building's interior layout is likely characterized by open, flexible spaces that can be easily adapted to the needs of the residents. Modernist architects favored open-plan layouts that allowed for greater flexibility and efficiency, as well as creating a sense of spaciousness and light. This approach to interior design is evident in the building's exterior, with its large windows and open balconies, which suggest a commitment to creating living spaces that are both functional and enjoyable to live in.
The building at Ion Brezoianu 29 also reflects the broader social and cultural trends of the mid-20th century. This was a time of rapid technological advancement and social change, and modernist architecture sought to reflect these changes by creating buildings that were forward-looking and innovative. The emphasis on simplicity, functionality, and the use of new materials and construction techniques reflects a desire to create buildings that were suited to the needs of a modern, industrialized society.
In conclusion, the building at Ion Brezoianu 29 is a prime example of mid-20th century modernist architecture. Its clean lines, unadorned surfaces, and emphasis on functionality and simplicity are hallmarks of this architectural style, which sought to break away from the ornate styles of the past and embrace a more streamlined and efficient aesthetic. The building's use of horizontal lines, open spaces, and new materials and construction techniques reflects a commitment to creating buildings that are both beautiful and functional, and that are suited to the needs of a modern, industrialized society. This building stands as a testament to the enduring appeal and relevance of modernist architecture, and to its ability to create living spaces that are both practical and aesthetically pleasing.
