Bulevardul Lascăr Catargiu Nr. 39: Casa Ion Cămărășescu, Arh. Ion D. Berindey, 1913: Ion Cămărășescu (1882-1953) a fost membru fondator al Partidului Conservator Democrat, deputat, prefect de Silistra, Ministru de Interne. În 1929 casa este vândută B.N.R. pentru a deveni reședința guvernatorilor, dar în 1933 este donată Fundațiilor Regale „Carol al ll-lea". Aici și-a desfășurat activitatea avocatul, scriitorul și epigramistul Alex. O. „Păstorel” Teodoreanu (1894-1964). (Oana Marinache – ARHITUR, Bulevardul Colțea – Bulevardul Lascăr Catargiu, Asociația și Editura Istoria Artei, 2019) / În prezent (de mulți ani) este sediul Ambasadei Iranului în România.
Referințe:
- Oana Marinache – ARHITUR, Bulevardul Colțea – Bulevardul Lascăr Catargiu, Asociația și Editura Istoria Artei, 201
- Dumitru (Dimitrie) Berindey (Berindei) (META)
- Dimitrie Berindei (Arhiva de Arhitectură)
- Familia Berindei. Portretul unor aristocrați ai spiritului. Convorbiri cu academicianul Dan Berindei
- Ion D. Berindey (1871-1928) (META)
- Ion D. Berindey ne dezvăluie bogăția din Bucureștiul aristocrat
- Ion D. Berindey (de Sidonia Teodorescu)
- Ion D. Berindey (1871-1928)
- Traseul Cultural Berindey – micul PARIS cu adevarat
- Traseul Cultural Ion D. Berindey (Răzvan Lăcraru)
- Arhitectul Ion D. Berindei
- Ion D. Berindey (Wikipedia)
- Ion D. Berindey - o figură remarcantă în arhitectura română
- Reședințe Bucureștene - arhitect Ion D. Berindey
- ION D. BERINDEI, 150 DE ANI DE LA NAȘTERE
- Ion D. Berindey (Arhitectură, Restaurare și Urbanism în România - grup Facebook)
- Ion D. Berindey - un arhitect pentru secole | Clădirile care fac cinste României
- Clădiri mai puţin cunoscute ale arhitectului Ion D. Berindey, autorul Palatului Cantacuzino
- Arhitect BERINDEY (BERINDEI), Ion (Ioan) I. - META
- Ion I. Berindei - Arhiva de Arhitectură
- BERINDEY (BERINDEI), Ion (Ioan) D. (META)
- Reședințe bucureștene în stil Berindey
Mai 2024:
ChatGPT despre stilul arhitectural al Casei Ion Cămărășescu din bulevardul Lascăr Catargiu 39:
Casa Ion Cămărășescu, located on Lascăr Catargiu Boulevard in Bucharest, is a distinguished example of early 20th-century Romanian architecture. Designed by the notable architect Ion D. Berindey, the building exemplifies a blend of Neo-Romanian and French eclectic styles, showcasing both national pride and the cosmopolitan influences of the era. Completed in the early 1900s, this residence not only reflects the personal taste and social status of its original owner, Ion Cămărășescu, but also the architectural trends that were prevalent in Bucharest during that period.
The façade of Casa Ion Cămărășescu is characterized by its elegant proportions and rich decorative elements. The building’s vertical emphasis is achieved through the use of tall, narrow windows and pilasters that extend from the ground floor to the roofline. These pilasters are adorned with intricate carvings, which are typical of the Neo-Romanian style and include floral motifs and geometric patterns. The façade is symmetrically arranged, a hallmark of classical architecture, with a central entrance that serves as the focal point.
The entrance of the building is marked by a grand, arched doorway, which is framed by decorative stonework. This stonework includes a combination of smooth and textured surfaces, creating a play of light and shadow that adds depth to the façade. Above the doorway, a balcony extends outward, supported by ornate brackets. The balcony’s balustrade is made of wrought iron, featuring intricate patterns that reflect the influence of Art Nouveau, a style that was popular in Europe at the time.
The windows of Casa Ion Cămărășescu are a significant architectural feature. They are arranged in vertical groups, with the central windows on each floor being the tallest and most elaborately decorated. These windows are topped with arched lintels that echo the shape of the entrance arch, creating a sense of unity and coherence across the façade. The window frames are embellished with carvings that include floral and foliate motifs, adding to the building’s ornate appearance.
One of the most distinctive elements of the building is its roof. The roof is steeply pitched, covered with red tiles, and features dormer windows that protrude from the roofline. These dormers are framed with carved woodwork, which is a characteristic feature of the Neo-Romanian style. The eaves of the roof extend beyond the walls of the building, supported by wooden brackets that are both functional and decorative. This extended eave design helps to protect the walls from rainwater, while also contributing to the building’s picturesque appearance.
The materials used in the construction of Casa Ion Cămărășescu further enhance its architectural appeal. The façade is primarily clad in stucco, which is painted in a light, neutral color. This choice of color helps to highlight the building’s decorative elements and creates a striking contrast with the darker, more intricate details. The use of stucco is complemented by stone and wood, which are used for the decorative carvings and structural elements, respectively. These materials are chosen not only for their aesthetic qualities but also for their durability and ability to withstand the local climate.
The interior of Casa Ion Cămărășescu, although not visible in the photographs, is likely to be as richly decorated as the exterior. Given the architectural trends of the time and the prominence of the architect, Ion D. Berindey, it is reasonable to assume that the interior spaces would feature high ceilings, decorative moldings, and possibly frescoes or stained glass windows. The layout of the interior would likely follow a traditional plan, with a central hallway leading to various reception rooms, private quarters, and service areas.
The architectural significance of Casa Ion Cămărășescu lies not only in its aesthetic qualities but also in its historical context. The building reflects the aspirations of the Romanian elite during the early 20th century, who sought to express their national identity through architecture while also embracing European trends. The Neo-Romanian style, of which this building is an example, was part of a broader cultural movement aimed at promoting Romanian heritage and identity. This style incorporated elements from traditional Romanian architecture, such as wooden carvings and steeply pitched roofs, into the modern urban context of Bucharest.
Ion D. Berindey, the architect of Casa Ion Cămărășescu, was one of the most prominent Romanian architects of his time. He was known for his ability to blend various architectural styles, creating buildings that were both functional and visually striking. Berindey’s work contributed significantly to the architectural landscape of Bucharest, and Casa Ion Cămărășescu is a testament to his skill and creativity.
In conclusion, Casa Ion Cămărășescu on Lascăr Catargiu Boulevard is a masterful example of early 20th-century Romanian architecture. Designed by Ion D. Berindey, the building combines elements of Neo-Romanian and French eclectic styles, creating a structure that is both elegant and historically significant. The façade is richly decorated with intricate carvings, wrought iron balconies, and steeply pitched roofs, reflecting the architectural trends of the time and the cultural aspirations of its original owner. As a piece of Bucharest’s architectural heritage, Casa Ion Cămărășescu stands as a reminder of the city’s historical and cultural evolution.
