În casa din Piața Romană 5 / Lascăr Catargiu 2 / Căderea Bastiliei 1 a locuit şi creat pictorul Gheorghe Petraşcu. Nu numai prin lucrările sale în culori puternice dar şi prin această locuinţă, omul de artă şi-a atras numele de boier al picturii. Casa Gheorghe Petraşcu a fost construită în 1912 după planurile arhitectului Spiridon Cegăneanu – discipol al lui Ion Mincu, în stil neoromânesc. Aparţinând ansamblului de trei vile al fraţilor Petraşcu: Nicolae, Constantin şi Gheorghe, casa a funcţionat de-a lungul timpului ca atelier pentru creaţiile celui din urmă, unul dintre cei mai importanţi pictori ai României interbelice. Stilul neoromânesc este combinat cu stilul neoclasic, încă la modă la momentul construcţiei vilei, de unde şi senzaţia de ecletism. Se disting în mod special decoraţiile în ceramică smălţuită care dau şi caracter imobilului. A se observa în acest sens brâul de sub streaşină. Se vede aşadar influenţa lui Ion Mincu, elementele de ceramică smălţuită cu motive folclorice apărând şi în cazul unor lucrări de referinţă ale întemeietorului stilului neoromânesc, cum este cazul Casei Doina – Bufetul de la Şosea în pur stil neoromânesc. Clădirea a fost restaurată în anii 90 de către arhitectul Alexandru Beldiman.
*
Oana Marinache o numește „Casa fraților Dr. V., N. și Ghe. Petrașcu”. (Oana Marinache – ARHITUR, Bulevardul Colțea – Bulevardul Lascăr Catargiu, Asociația și Editura Istoria Artei, 2019)
Referințe:
ChatGPT on the architectural style of the building Casa Gheorghe Petrașcu at Bd. Lascăr Catargiu 2, Bucharest, by architect Spiridon Cegăneanu, year 1912, restored in 1995 by architect Alexandru Beldiman: Casa Gheorghe Petrașcu is a quintessential example of the Neo-Romanian architectural style, designed by Spiridon Cegăneanu and completed in 1912. This style, which gained prominence in the late 19th and early 20th centuries, is noted for its incorporation of traditional Romanian architectural elements into a more modern framework, reflective of a national romanticism that was prevalent during the period.
The building features characteristic elements of the Neo-Romanian style, such as arched openings, which are prominent on the facade, and elaborate carvings that draw inspiration from Romanian folkloric themes. The use of rough stone and brick further emphasizes the rustic aesthetic that is typical of this style, aiming to blend local architectural heritage with the more widespread European architectural movements of the time.
The roof is particularly notable for its intricate patterns and use of tiles, which are often seen in traditional Romanian architecture. The balconies and window frames are ornately decorated, featuring motifs that are inspired by medieval Romanian art and architecture, such as the Brâncovenesc style, which is a significant influence on the Neo-Romanian aesthetic.
The architectural elements featured in the photos of windows, eaves and friezes of Casa Gheorghe Petrașcu highlight the distinctive characteristics of the Neo-Romanian style, which is known for incorporating traditional Romanian architectural forms and decorations.
Carved Stone Archway: The first image displays a beautifully carved stone archway framing a set of windows. This archway features intricate floral and geometric patterns which are typical of the Neo-Romanian style, drawing inspiration from late medieval Romanian church architecture. The craftsmanship is evident in the depth and precision of the carvings, which enhance the texture and visual appeal of the facade. This kind of ornamentation not only serves aesthetic purposes but also embodies the nationalistic pride of the era, emphasizing local artistic traditions.
Decorative Eaves and Friezes: The second image shows the upper portion of the building, focusing on the decorative eaves and ceramic tile friezes. These elements are colorful and elaborate, featuring patterns that are again inspired by traditional Romanian motifs. The eaves are supported by wooden brackets that have been carved with attention to detail, and the frieze incorporates a sequence of turquoise and beige tiles, which add a vibrant yet harmonious contrast to the more subdued tones of the building’s main walls.
Both of these elements are not only decorative but also functional, contributing to the structural integrity and protection of the building. They reflect the architectural vision of integrating form with function, a hallmark of thoughtful architectural design. Moreover, these decorations highlight the cultural continuity and revival efforts during the period when the Neo-Romanian style was popular, aiming to foster a built environment deeply rooted in Romanian history and identity.
Sistem integrat de cartografiere relațională a realității urbane, de organizare, conectare și interpretare a tuturor entităților care compun realitatea imobiliară, patrimonială și urbană. Este o arhitectură relațională care modelează orașul ca rețea.