Dionisie Lupu Nr. 59: Casa George Kosman; 1888 rep. acoperiș casă / 1892 reparații, arh. Julius Hraby (posibil propr. proprie?) / Casa gen. Carcalețeanu, 1897 casă, planurile nesemnate / Casa Zoe Gerassi / 1939 scară, arh. V. Arion (probabil Vasile Arion - n.r.) (Oana Marinache - ARHITUR, Strada Dionisie Lupu și împrejurimi, Asociația și Editura Istoria Artei, 2019)
Referințe:
- Oana Marinache - ARHITUR, Strada Dionisie Lupu și împrejurimi, Asociația și Editura Istoria Artei, 2019
- Aici a stat bancherul Alexandru Lucasievici (mențiune Julius Hraby)
- Vizita vilei Atanasovici (mențiune Julius Hraby)
- Arhitect Vasile Arion (Dicţionar al arhitecţilor români (sec. XIX, XX, XXI) literele A-C)
- Casa Radu Arion, locuinţa diplomatului care a sfidat ordinele comuniştilor. „Sparge uşa dacă vrei, dar eu nu-ţi dau nimic” (mențiune arhitect Vasile Arion)
Mai 2024:
Aprilie 2009:
ARION, Vasile S.: (1902-1977); Anul absolvirii: 1929 Lucrări: bloc de locuinţe, Piaţa Amzei/ str. Mendeleev, Bucureşti (1935, în colaborare cu G.M. Cantacuzino); blocul de locuinţe Carlton, bd. N. Bălcescu, Bucureşti (1936, în colaborare cu G.M. Cantacuzino); hotel Rex, Mamaia (1936-1940, în colaborare cu G.M. Cantacuzino). (Dicţionar al arhitecţilor români (sec. XIX, XX, XXI) literele A-C)
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ChatGPT despre stilul arhitectural al Casa Gen. Carcalețeanu - Zoe Gherassi din strada Dionisie Lupu 59:
The building in question, known as Casa Gen. Carcalețeanu - Zoe Gherassi, constructed in 1897, is a splendid example of late 19th-century Romanian architecture. The design reflects the eclectic architectural style, a popular trend during that period, combining elements from various historic styles and blending them into a harmonious and cohesive whole. The eclectic style was favored for its flexibility and ability to convey a sense of grandeur and sophistication, which is evident in the architectural details of this building.
The façade of Casa Gen. Carcalețeanu - Zoe Gherassi is symmetrical and meticulously detailed, showcasing the influence of Neoclassical and Renaissance revival styles. The building’s structure is composed of a robust, rectangular form with a flat roof, which is typical of the grand urban residences of the time. The roofline is accentuated with a pronounced cornice supported by decorative brackets, giving the building a distinguished and stately appearance.
One of the most striking features of the building is its use of ornamentation. The façade is adorned with intricate stucco work, including floral motifs and other classical decorative elements. These embellishments are particularly concentrated around the windows and entrance, drawing the eye to these focal points. The windows themselves are tall and narrow, framed by elaborately carved moldings that add depth and texture to the façade. The use of rounded arches for the upper-floor windows is reminiscent of Renaissance architecture, adding a touch of elegance and historical reference to the design.
The main entrance of the building is grand and inviting, set within a slightly recessed portico. This entrance is framed by pilasters with ornate capitals, supporting an entablature that bears intricate carvings. Above the entrance, a balcony with wrought iron railings provides a visual balance and adds to the building’s overall sense of sophistication. The wrought iron work is detailed and finely crafted, indicative of the high level of craftsmanship that was employed in the construction of the building.
The building’s material palette is another notable aspect. The use of stone and stucco for the façade not only provides a durable and long-lasting exterior but also allows for the detailed ornamentation that defines the building’s character. The stone is carefully cut and laid to create a smooth, polished surface, while the stucco is used to add decorative elements and enhance the building’s visual appeal.
Inside, although specific interior details are not visible in the provided images, buildings of this period and style typically feature high ceilings, ornate moldings, and grand staircases. The interior spaces are often designed to be both functional and aesthetically pleasing, with an emphasis on creating a luxurious and comfortable living environment. The use of high-quality materials and finishes, such as hardwood floors, marble fireplaces, and decorative plasterwork, would be expected in a building of this caliber.
The context of the building within its urban setting is also significant. Located on Dionisie Lupu Street, the Casa Gen. Carcalețeanu - Zoe Gherassi would have been part of a prestigious residential area, home to many of Bucharest’s elite. The street itself would have been lined with similarly grand residences, each contributing to the overall character and ambiance of the neighborhood. This urban context enhances the historical and architectural value of the building, as it represents a piece of the city’s cultural heritage and the lifestyle of its affluent residents at the turn of the 20th century.
The historical significance of the building is further underscored by its association with prominent figures of the time. General Carcalețeanu and Zoe Gherassi, for whom the house was named, were likely influential individuals in Romanian society, and their residence would have been a reflection of their status and taste. The architect, whose identity remains unknown in the provided details, would have been well-versed in the eclectic style and skilled in combining different architectural elements to create a cohesive and impressive design.
In conclusion, the Casa Gen. Carcalețeanu - Zoe Gherassi is a remarkable example of eclectic architecture, embodying the elegance and sophistication of late 19th-century Romanian urban residences. Its detailed ornamentation, grand proportions, and high-quality materials reflect the architectural trends of the period and the social status of its original occupants. As a piece of Bucharest’s architectural heritage, it offers valuable insights into the city’s historical development and the lifestyles of its elite residents.
