1957 casa principală, de pe colț cu str. Batiștea, devine sediul Casei de cultură "Friedrich Schiller" / Casa Mavrocordat: 1929 construcție anexă, arh. Velizarie Secăreanu (Oana Marinache)
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Constantin și Maria Blaremberg se pare că au construit pentru închiriere întregul ansamblu de pe strada Batiștei 15, colț cu Tudor Arghezi 5 (numele de acum), la sfârșitul sec. XIX - începutul sec. XX. Sunt cinci clădiri acolo:
- Casa A, cu poarta principală pe Tudor Arghezi 5
- Casa„principală”, cu intrarea prin Batiștei 15, în care a fost multă vreme (din 1957) Casa de Cultură Friedrich Schiller – Casa minorității germane din București (poate e și acum?)
- O casă mică, fără etaj, față în față cu casa principală
- O casă cu etaj în spatele curții și în spatele Casei A
- O anexă (grajduri/ garaj) tot în spatele curții, lipită de casa cu etaj.
În documentația studiată de Oana Marinache se vorbește despre „Casa Mavrocordat: 1929 construcție anexă, arh. Velizarie Secăreanu”. Presupunem că este casa de locuit cu etaj din spate, fiindcă e puțin probabil ca în 1929 să se mai construiască o casă fără etaj într-o zonă atât de scumpă. Cu atât mai mult cu cât casele construite deja cu 30 de ani înainte aveau etaj. (n.r. - dec. 2024)
Referințe:
- Oana Marinache- ARHITUR, Strada Dionisie Lupu și împrejurimi, Asociația și Editura Istoria Artei, 2019
Mai 2024:
ChatGPT despre stilul arhitectural al Casei Corneliu Manolescu din strada Tudor Arghezi 5:
The building depicted in the photos is an exquisite example of late 19th-century architecture in Bucharest, specifically constructed in 1889. Its design reflects the eclectic architectural style that was prevalent during this period, characterized by a blend of neoclassical and baroque elements. This fusion results in a rich and ornate façade, which was commonly employed to convey the wealth and status of its inhabitants.
The façade of the building is symmetrical and divided into three vertical sections by pilasters, which are flat columns attached to the wall. These pilasters extend from the ground floor to the roof, emphasizing the verticality of the structure. The ground floor is robustly rusticated, creating a strong base that supports the lighter, more decorative upper floors. Rustication is a technique where the masonry is cut back to give a textured, three-dimensional effect, adding depth and interest to the façade.
One of the most striking features of the building is the use of classical orders, particularly Corinthian columns and pilasters, which are topped with elaborate capitals decorated with acanthus leaves. These classical elements provide a sense of grandeur and timeless elegance, linking the building to the revered traditions of ancient Greek and Roman architecture.
The windows on the second and third floors are particularly noteworthy. They are tall and narrow, framed by architraves and topped with triangular and segmental pediments. This variety in window decoration adds visual interest and breaks the monotony of the façade. The use of pediments, which are the triangular upper parts of a classical building front, above windows is a hallmark of neoclassical architecture, giving the building a distinguished appearance.
Above the central windows on the second floor, there is a prominent balcony with an ornate wrought-iron railing. This balcony is supported by large, decorative corbels—projecting supports that add both function and beauty. Wrought-iron work was a popular decorative element in the 19th century, often used to display intricate patterns and craftsmanship.
The roof of the building is a mansard roof, a hallmark of French Second Empire architecture, which became popular throughout Europe in the latter half of the 19th century. This type of roof is characterized by its steeply sloped sides and flat top, allowing for additional living space in the attic. The dormer windows protruding from the mansard roof further enhance the architectural complexity and aesthetic appeal of the building.
The entrance of the building is centrally located and framed by a classical portico. The portico is supported by a pair of Corinthian columns, providing a grand and inviting entryway. Above the entrance, a large, arched window or fanlight allows natural light to flood the interior hallway, a common feature in buildings from this era designed to maximize light and space.
The use of decorative plasterwork and moldings is evident throughout the façade, adding a layer of intricate detail that complements the overall design. These decorations often include floral motifs, scrolls, and other classical elements, contributing to the building’s ornate appearance.
The choice of materials also speaks to the building's period and style. The use of stone and stucco is typical of the time, providing a durable and aesthetically pleasing finish. The stone is often left exposed or painted in light colors, which was a popular choice to reflect the elegance and refinement of the building.
In conclusion, this building, constructed in 1889, is a prime example of the eclectic architectural style that blends neoclassical and baroque elements. Its symmetrical façade, classical orders, rusticated ground floor, ornate window frames, mansard roof, and decorative plasterwork all contribute to its grandeur and historical significance. This style of architecture not only reflects the tastes and aspirations of the period but also showcases the craftsmanship and attention to detail that characterized the construction of prestigious urban residences in late 19th-century Bucharest. The building stands as a testament to the rich architectural heritage of the city, embodying the elegance and sophistication of a bygone era.
