Casa Langhaus (Galeriile Langhaus) a fost construită de arhitectul Herman Clejan cu un singur scop: să adăpostească un magazin universal. Este prima clădire construită cu acest scop în București. Până la dispariția băncii, a fost sediul MKB Romexterra Bank. În Lista Monumentelor Istorice apare cu numele "Magazinul Vulturul de Mare" (Magazinul "Vulturul de Mare", Calea MoSilor 32 sector 3, Str. Baratiei 31, sector 3 sf. sec. XIX - prima jum. sec. XX B-II-m-B-19239).
Referințe:
- Birouri de inchiriat in Matrix Office Building
- Galeriile Langhaus
- La Vulturul De Mare Cu Pestele În Ghiare
- Arhitect Herman Clejan
- Herman Clejan
- Casa Langhaus
- Povestea primului magazin universal din România. De unde era adusă marfa şi câţi angajaţi avea
ChatGPT despre stilul arhitectural al clădirii Galeriile Langhaus: This building is a great example of a blend of Beaux-Arts and Second Empire architectural styles, which were popular during the late 19th century. Here are the characteristic features seen in the photo:
1. Roof: The mansard roof is a distinctive feature of the Second Empire style, named after the reign of Napoleon III in France, where the style originated.
2. Dormer windows: The small, evenly spaced dormer windows protruding from the roof are also typical of the Second Empire style.
3. Ornamentation: The elaborate window and facade detailing, including the cornices above the windows, the decorative bands between floors, and the richly embellished pilasters, are reminiscent of the Beaux-Arts approach to architecture.
4. Rounded corner: The building's corner is curved, culminating in a dome-capped tower. This softens the intersection of the two streets and adds a prominent feature to the building, which is often seen in Beaux-Arts architecture.
5. Symmetry: The facade's composition, with its series of windows and pilasters, exhibits the classical symmetry and order associated with Beaux-Arts design principles.
The combination of these elements suggests that the building was designed to present an image of grandeur and opulence, typical of civic and commercial buildings from the period when architectural expression was used to convey a sense of stability and progress.
