# Imobilele Casei Corpului Didactic (I)

Adresă: Str. Vasile Conta nr. 7-9, Sector 1, Cartierul Batiștei, București
An construcție: 1940
Tip ansamblu: Blocuri
Tip clădire: 6-12 niveluri
Stil arhitectural: Modernist interbelic
Risc seismic: II
Etichete: arhitectura, arhitect, modernist, artdeco, patrimoniu, monument istoric, risc seismic

## Articol
Notă: într-un studiu UAUIM bazat pe dosarele de autorizație din arhiva PMB, apare un imobil de raport în str. Vasile Conta 7–9 (București), arhitecți: Eugen Botez, Simion I. Chirulescu, an autorizație: 1940, proprietar inițial: Casa Corpului Didactic. De notat și că în această mențiune nu apare arh. Leon Garcia în lista de autori, deși această lucrare este menționată explicit în fișa lui Garcia de pe Centrul Cultural Meta.

Referințe:

- Imobilul prof. univ. Gh. Mironescu din str. Vasile Conta nr. 3-5, o lucrare de referință a arhitectului Eugen Botez (Igloo)
- Imobile de raport interbelice (studiu UAIM)
- Două blocuri cu 200 de apartamente… prezintă „pericol public” și „pericol iminent de colaps”… (G4Media)
- LISTELE IMOBILELOR EXPERTIZATE TEHNIC… actualizate la 15.9.2020 (PMB – listă publică)
- Lista imobile – tabel actualizat 15.01.2026 (AMCCRS–PMB)
- Arhitectura - GARCIA, Leon (META)
- GARCIA Leon (fișă de arhitect) - mențiune "Locuinţe corpul didactic, Strada Vasile Conta 3-5 şi 7-9, 1939-1940, arh. Leon Garcia!
- Imobile de raport interbelice (studiu UAIM)

Arhitect Leon Garcia (1908-?): După studii la Academia de Arhitectură din București, obține diploma în 1934, proiectând și realizând în Capitală atât locuințe, cât și dotări ca:

- Imobile de locuit în str. Take lonescu (1937)
- Bd. Elisabeta nr. 95 (1938)
- Vasile Conta nr. 3-5, 7-9 (1940)
- Palatul Radiodifuziunii, str. Gen. Berthelot (1960)
- Sediul IPCT, str.T. Arghezi nr. 19 (1965)
- Ansamblu locuințe Piața Sălii Palatului (1960)
- Vile în ansamblul Arcul de Triumf, pe șos. Kiseleff (1965)
- Ansamblu locuințe, bd. Averescu nr. 1-15 (1961)
- Grup locuințe pe str. L. Tolstoi și M. Gorki (1959)
- Imobil locuințe str. J. L. Calderon / bd. Carol I (1940), demolat după cutremurul din 1977
- Garaj auto, str. V. Conta nr. 3 (1940)
- Uzinele Solex, str. Fântânica nr. 44 (1940).

La concursuri a obținut:

- Premiul II - pentru sistematizarea Pieței Victoriei, București (1942) cu N. Nedelescu
- Premiul II - pentru Sediul PTT - Ploiești - cu M. Ricci
- Premiul I - pentru Facultatea de Agronomie - cu Al. Zamphiropol.

A fost o perioadă arhitect-șef adjunct la Bacău.

(Arh. Vasile Țelea, Personalități ale Arhitecturii Românești 1880-2010, Editura Rentrop & Straton, 2014)

Mai 2024:

ChatGPT despre stilul arhitectural al clădirii din strada Vasile Conta 7-9:

The building located at Vasile Conta 7-9 in Bucharest exemplifies a blend of early 20th-century architectural principles, reflecting a period where functional design began to intersect more prominently with aesthetic considerations. This structure embodies characteristics typical of the late Art Deco and early Modernist movements, which were prevalent in European urban architecture from the 1920s through the 1940s.

Upon first glance, the building’s facade is striking for its rigid geometric form, which is a hallmark of Modernist influence. The architecture is primarily functional, with a focus on horizontal and vertical lines that give the structure a streamlined, almost industrial appearance. This emphasis on geometric simplicity is seen in the uniform rows of windows and the stark, unornamented surfaces that dominate the exterior. The facade is constructed predominantly of concrete, a material favored by Modernist architects for its affordability and ease of use, allowing for the creation of these clean, unembellished lines.

The building's height, which rises to multiple stories, was likely designed to maximize the use of urban space, an increasingly important consideration in densely populated areas. This verticality is accentuated by the repetition of balconies and windows, which add a rhythmic quality to the facade. The balconies, with their minimalist metal railings, offer a functional outdoor space while maintaining the building’s streamlined aesthetic. These elements reflect an Art Deco influence, which often incorporated decorative motifs and a sense of vertical elongation into the structure's design.

One of the most notable features of the building is its symmetrical arrangement. The central axis is clearly defined, with the entrance often marked by a subtle but distinct architectural element, such as a canopy or a different treatment of materials around the doorway. This symmetry provides a sense of balance and order, enhancing the building's overall visual appeal.

The windows are another key feature, typically arranged in bands across the facade. These bands of windows not only allow for ample natural light to penetrate the interior spaces but also contribute to the horizontal emphasis of the design. The window frames and mullions are generally simple, in keeping with the Modernist ethos of "less is more."

Additionally, the building incorporates elements that break up the monotony of its concrete surfaces, such as the occasional use of decorative stone or tile. These materials add texture and subtle visual interest without detracting from the building’s overall aesthetic unity. The choice of materials and the restrained use of decoration highlight the influence of Art Deco, which often combined modern materials with decorative elements to create a sense of luxury and sophistication.

The roofline of the building is relatively unadorned, often featuring a flat or gently sloping roof, consistent with Modernist principles. This design choice not only simplifies the construction process but also allows for the possible use of rooftop spaces for communal or private use. The lack of a prominent roofline keeps the focus on the building’s vertical and horizontal lines, reinforcing its geometric purity.

In terms of functionality, the building’s layout likely reflects the period’s emphasis on practicality and efficiency. The interior spaces are designed to be flexible and adaptable, with an open floor plan that allows for a variety of uses. This adaptability is a key feature of Modernist architecture, which sought to create spaces that could accommodate the changing needs of its inhabitants.

Furthermore, the integration of modern amenities, such as elevators and centralized heating systems, would have been a significant aspect of the building’s design. These features not only improved the comfort and convenience for residents but also represented the technological advancements of the era.

In conclusion, the building at Vasile Conta 7-9 is a quintessential example of the architectural transition from Art Deco to Modernism in early 20th-century Europe. Its design emphasizes geometric simplicity, functionalism, and a restrained use of decorative elements, reflecting the broader trends in urban architecture during this period. The building’s symmetry, use of modern materials, and incorporation of practical amenities highlight the era’s innovative approach to creating efficient and aesthetically pleasing urban living spaces. As such, it stands as a testament to the architectural evolution that characterized the early 20th century, blending the decorative richness of Art Deco with the stark functionality of Modernism.

## Specialiști
**Arhitectură:** Leon Garcia; Eugen Botez; Simion I. Chirulescu

Sursă: https://www.propertyindex.ro/residential/vasile-conta-7-9