# Blocul Inginer Iuliu Brandt

Adresă: Str. Sipotul Fantanilor nr. 9, Sector 1, Cartierul Centru - Cișmigiu, București
An construcție: 1930
Tip ansamblu: Blocuri
Tip clădire: 6-12 niveluri
Stil arhitectural: Art Deco
Etichete: arhitectura, arhitect, modernist, artdeco, patrimoniu, monument istoric, risc seismic

## Articol
Strada Șipotul Fântânilor Nr. 9, fost E/nr. 1: Imobil Inginer Iuliu Brandt. În 1933 începe demersurile, dar se pune problema exproprierii pentru lărgirea Pieței Regale; 1935 planuri, arh. Emil Nădejde (respinse); sunt redepuse ale arh. State Baloșin; 1946 bloc cu 4 etaje, demisol și mezanin, aripa stângă complet deteriorată, un apartament de la demisol mai era locuibil. În 1946 reparații radicale la etajele 2, 3, 4, arh. Traian Chițulescu. Iuliu s-a stabilit în casa surorii sale, Valeria Brandt, de la nr. 7. A fost internat în lagăr pentru că folosise în 1941 un pașaport german. (Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024)

Referințe:

- [Mădălin Ghigeanu, Curentul Mediteraneean în arhitectura interbelică românească, Editura Vremea, București, 2022] (volum tipărit)
- [Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024] (volum tipărit)
- Casa Schlatter (Arhiva de Arhitectură)
- Parcelarea Boehacker (Arhiva de Arhitectură)
- Cele 7 case din strada Șipotul Fântânilor, unde era Aleea Carmen Sylva

Iulie 2019:

CHIŢULESCU, Traian (n. 1920, Bucureşti) Studii: Facultatea de Arhitectură, dipl. 1943. Lucrări: Lucrează în special în domeniul sistematizării, participând la întocmirea schițelor si detaliilor de sistematizare pentru oraşele: Oradea, Braşov, Făgăraş, Cernavodă, Brad şi Turda. In anul 1955 a realizat Complexul de odihnă al armatei de la Mamaia (transformat în anul 2000 în Iaki Hotel). Publicaţii: Pe plan teoretic, a colaborat la editarea unor lucrări de referință în literatura de specialitate, cum sunt: Lexiconul Tehnic Român; Dicţionarul Enciclopedic Român; Manualul Arhitectului Proiectant (coordonator, autori: Ing. Eruanoil Anastasie, Arh. Dinu Antonescu, Arh. Mircea Bercovici, Arh. Gheorghe Bleyer, Arh. Georgeta Chițulescu): Şapte monumente celebre ale lumii antice (coautor, în colaborare cu Georgeta Chiţulescu); Amplasarea şi proiectarea industriilor (autor Adler Ladislau, autori alternativi: Chițulescu T ., Solomon Z.) (V.Ţ. - Dicţionar al arhitecţilor români (sec. XIX, XX, XXI) literele A-C)

ChatGPT despre stilul arhitectural al clădirii din strada Şipotul Fântânilor 9:

The building located at Șipotul Fântânilor 9 in Bucharest is an exemplary model of modernist architecture, which emerged in the early 20th century and emphasized functionality, simplicity, and the use of new construction technologies. This particular building stands out due to its unique blend of modernist principles with elements that reflect the cultural context of its location.

Introduction to Modernist Architecture

Modernist architecture, which began to gain prominence in the early 1900s, was a response to the rapid industrialization and urbanization occurring globally. The movement sought to break away from the ornate styles of the past, instead focusing on the concept that form should follow function. This resulted in buildings that were more utilitarian and stripped of unnecessary decoration, using materials such as steel, glass, and concrete to create structures that were both functional and aesthetically minimalist. The emphasis was on clean lines, open spaces, and the honest expression of materials and structure.

Architectural Details of Șipotul Fântânilor 9

1. Facade and Verticality
The facade of the building at Șipotul Fântânilor 9 is characterized by its vertical emphasis. This is achieved through the use of tall, narrow windows and vertical strips of glass that run the height of the building. The central section of the facade features a prominent vertical glass element, which not only enhances the building’s aesthetic appeal but also serves a functional purpose by allowing natural light to penetrate the interior spaces deeply. This verticality gives the building a sense of grandeur and height, making it a notable feature in the urban landscape.

2. Window Design and Rhythm
The windows on the facade are arranged in a regular, rhythmic pattern, which creates a sense of order and harmony. The windows are elongated and narrow, with rounded tops that add a subtle decorative element while maintaining the overall simplicity of the design. This rhythmic arrangement of windows is a hallmark of modernist architecture, which often uses repetition to create visual interest without relying on ornamentation.

3. Material and Texture
The building’s exterior is finished with a textured stucco, which adds depth and interest to the otherwise plain facade. The use of stucco is common in modernist architecture, as it provides a durable and versatile surface that can be easily manipulated to achieve different textures and finishes. In this case, the rough texture of the stucco contrasts with the smooth glass elements, creating a dynamic interplay of materials.

4. Balconies and Ironwork
On the sides of the building, there are several balconies that provide outdoor space for the residents. These balconies are supported by simple, unadorned brackets and are enclosed with metal railings that feature geometric patterns. The design of the railings is both functional and decorative, adding a touch of visual interest without overwhelming the simplicity of the overall design. The presence of balconies also reflects the modernist emphasis on creating livable, human-centered spaces within the urban environment.

5. Entrance and Canopy
The main entrance of the building is marked by a modest canopy, which provides shelter and creates a welcoming entry point. The canopy is supported by slender columns and extends outward from the facade, emphasizing the horizontal lines of the building and providing a counterbalance to its vertical elements. The entrance itself is framed by glass panels, allowing light to enter the lobby and creating a sense of openness and transparency.

6. Roofline and Cornices
The roofline of the building is flat and unadorned, in keeping with the modernist aesthetic of simplicity and functionality. There are no elaborate cornices or decorative elements at the top of the building, which helps to maintain the clean, geometric lines that are characteristic of the style. The flat roof also reflects the modernist approach to utilizing all available space, as it can potentially be used for functional purposes such as housing mechanical equipment or creating a rooftop terrace.

Historical and Cultural Context

The building at Șipotul Fântânilor 9 was constructed during a period when Bucharest was experiencing significant growth and modernization. The early to mid-20th century was a time of rapid urban development, and architects were eager to explore new styles and construction techniques that could accommodate the changing needs of the city’s population. Modernist architecture was particularly well-suited to this context, as it emphasized efficiency, functionality, and the use of new materials and technologies.

The Role of Urban Development in Bucharest

During this time, Bucharest, like many other European cities, was undergoing a transformation. The influx of people into urban areas created a demand for new housing and public buildings, leading to the widespread adoption of modernist principles. Architects in Bucharest were influenced by international trends but also sought to incorporate local cultural elements into their designs. This blending of global and local influences resulted in a unique architectural landscape that reflected both modernity and tradition.

Conclusion

The building at Șipotul Fântânilor 9 is a significant example of modernist architecture in Bucharest. Its emphasis on verticality, clean lines, and functional design reflects the principles of the modernist movement, while its use of textured materials and geometric patterns adds a unique touch that speaks to its cultural context. This building not only serves as a functional space for its occupants but also stands as a testament to the innovative spirit of early 20th-century architecture.

In conclusion, the building at Șipotul Fântânilor 9 exemplifies the key characteristics of modernist architecture. Its emphasis on simplicity, functionality, and the honest expression of materials makes it a valuable part of Bucharest’s architectural heritage. Whether appreciated for its aesthetic qualities or its historical significance, this building remains a testament to the enduring appeal of modernist design and the architectural advancements of the early 20th century.

## Specialiști
**Arhitectură:** Traian Chițulescu (reparații radicale 1946)

Sursă: https://www.propertyindex.ro/residential/sipotul-fantanilor-9