# Modrogan 2-4

Adresă: Str. Modrogan nr. 2-4, Sector 1, Cartierul Dorobanți, București
An construcție: 1930
Tip ansamblu: Case/Vile
Tip clădire: 2-5 niveluri
Stil arhitectural: Mediteraneean
Etichete: arhitectura, arhitect, modernist, artdeco, patrimoniu, monument istoric, risc seismic

## Articol
A fost concepută de Gheorghe Simotta. Antrepriza a aparţinut inginerului Ioanovici. În momentul de faţă, aici îşi are sediul Ambasada Indoneziei (din 2024), înainte fiind Ambasada Emiratelor Arabe Unite.

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În prefața cărții lui Mădălin Ghigeanu: „Curentul Mediteraneean în arhitectura interbelică românească, Ed. Vremea, București, 2022”, Prof. dr. arh. Sorin Vasilescu menționează: „O altă direcție a filonului mediteraneean a fost exploatată și de către arhitectul Gheorghe Simotta, dar, în căutările sale formale și decorative, se simte prezența nu a Mediteranei de vest, ci a celei de est în care se amalgamează, la nivel superior, elemente neoromânești și bizantine din arealul balcanic, familiar arhitectului care era de origine macedo-română, născut la Vlaho-Clisura. In afara unei îndelungate și excepționale cariere didactice și plastice, el este și autorul unor opere de arhitectură din care amintim: (enumerare)... imobil, Aleea Modrogan nr. 2, București, anii 1930”

Referințe:

- Mădălin Ghigeanu, Curentul Mediteraneean în arhitectura interbelică românească, Ed. Vremea, București, 2022

August 2023:

ChatGPT despre stilul arhitectural al clădirii din strada Modrogan 4:

The building located at Aleea Modrogan 4, currently housing the Embassy of the United Arab Emirates, is an exemplary manifestation of modernist architectural design with distinctive touches of Neo-Romanian influences. Conceived by the architect Gheorghe Simotta and constructed by the engineer Ioanovici, the structure showcases a harmonious blend of functional design and aesthetic appeal, characteristic of early 20th-century architecture in Romania.

One of the most striking features of this building is its clean, geometric lines that emphasize simplicity and functionality, a hallmark of modernist architecture. The façade is dominated by a series of horizontal and vertical planes, creating a balanced composition that is both pleasing to the eye and reflective of the building's structural logic. The white plastered surfaces of the exterior are punctuated by large rectangular windows, which not only provide ample natural light to the interior spaces but also break the monotony of the plain surfaces.

The Neo-Romanian elements are subtly integrated into the overall modernist design, providing a unique cultural layer to the architectural narrative. This is evident in the decorative motifs that adorn the uppermost part of the façade. The intricate frieze running along the top edge of the building is a modern reinterpretation of traditional Romanian decorative patterns, blending seamlessly with the clean lines of the modernist structure. These motifs add a touch of elegance and historical continuity, linking the building to Romania's rich architectural heritage.

Another notable feature is the use of columns and pilasters, which, although minimalistic, are reminiscent of classical architectural elements. These columns, found on the corners and around the entrance, are adorned with stylized capitals, which again reflect the Neo-Romanian influence. The incorporation of these elements demonstrates a conscious effort to bridge modernist simplicity with traditional Romanian architectural forms.

The entrance of the building is particularly noteworthy, featuring an arched doorway framed by decorative columns. This archway, while simple, exudes a sense of grandeur and importance, guiding visitors into the building. Above the entrance, a decorative panel with an emblem further enhances the building's official and diplomatic character.

The overall massing of the building is characterized by a series of stacked volumes, each slightly offset to create a dynamic interplay of light and shadow. This approach not only adds visual interest but also helps in defining different functional zones within the building. The balconies, which project slightly from the main façade, provide outdoor spaces for occupants while contributing to the building's layered aesthetic.

In terms of materials, the building primarily uses plastered masonry, a common choice in Romanian architecture for its durability and aesthetic versatility. The white color of the plaster reflects the modernist preference for purity and neutrality, allowing the form of the building to take center stage. The windows are framed with dark wood or metal, providing a stark contrast to the white walls and emphasizing the building's geometric precision.

The roofline of the building is flat, another characteristic feature of modernist architecture. This not only simplifies the overall form but also provides potential for rooftop terraces or additional functional spaces. The flat roof, combined with the building's clean lines and unadorned surfaces, firmly situates it within the modernist tradition while still allowing for local architectural expressions.

Internally, the building likely follows a similar philosophy of simplicity and functionality. Modernist interiors are known for their open plans, minimalistic detailing, and emphasis on light and space. Large windows would ensure that the interior spaces are well-lit, reducing the need for artificial lighting and creating a pleasant, airy atmosphere.

The garden and outdoor spaces surrounding the building are designed to complement the architectural form. Well-maintained lawns, strategically placed trees, and paved pathways enhance the building's aesthetic appeal and provide a serene environment for the occupants.

In conclusion, the building at Aleea Modrogan 4 is a remarkable example of how modernist architecture can be seamlessly integrated with local traditions to create a structure that is both functional and culturally resonant. Designed by Gheorghe Simotta and constructed by Ioanovici, it stands as a testament to early 20th-century Romanian architectural ingenuity. The building's clean lines, geometric forms, and subtle Neo-Romanian decorative elements make it a noteworthy addition to Bucharest's architectural heritage, now serving as a dignified home for the Embassy of the United Arab Emirates.

## Specialiști
**Arhitectură:** Gheorghe Simotta

Sursă: https://www.propertyindex.ro/residential/modrogan-4