# Ministerul de Război

Adresă: Str. Valter Maracineanu, capitan nr. 1-3 / Str. Ion Brezoianu nr. 43, Sector 1, Cartierul Centru - Cișmigiu, București
An construcție: 1896
Tip ansamblu: Publice și administrative
Tip clădire: 2-5 niveluri
Stil arhitectural: Neoclasic
Etichete: arhitectura, arhitect, modernist, artdeco, patrimoniu, monument istoric, risc seismic

## Articol
Nr. 43: Propr. Catargiu / 1896 arh. Leonida Negrescu / Clădirea Min. de Război (nr. 31 în 1911) / 1928-1929 supraetajare, transformări, arh.Emil Guneș, ing. Ctin. Filipescu / Ministerul Apărării Naționale, 1944 bombardat, refăcut de arh. Mircea Alifanti / Acum sunt multe sedii de agenții, comisii, instituții ale statului. / Intrarea Caribolu/Rosetti/Walter Mărăcineanu/strada Rondellu: Aici era intrarea principală în Grădina Știrbey Vodă / în 1853 se propunea ridicarea unei clădiri neoclasice cu magazine, cafenea, pe ambele laturi ale rondului, după un proiect al arh. Alex. von Montbach și avizat de arh. X. Villacrose. / Monumentul "Avântul Țării", 1921 arh. Arghir Culină, sculptor Emil Wilhelm Becker; instalat pe Calea Griviței, în fața unei cazarme, a fost mutat la Ministerul de Război, în Piața Walter Mărăcineanu. (Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024)

Referințe:

- Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024
- Leonida Negrescu
- Arhitectul Leonida Negrescu
- Arhitect Emil Guneș (Arhiva de Arhitectură)
- Mircea Alifanti (Arhitectura 1906)
- Mircea Alifanti - arhitect, profesor, mentor
- Mircea Alifanti (IDentitate)
- Arhitect Mircea Alifanti (comentariu critic META)

August 2023:

GUNEŞ, Emil M. (1890 - 1945) Arhitect român de origine turcă. Studii: Şcoala Specială de Arhitectură „Trelat" din Paris, dipl 1912; arhitect militar. Lucrări: casa principelui Nicolae, din Balcic (1925); Castelul Reginei Maria, denumit Tehna Juvah, Cuibul liniştit") din Balcic, (1925-1927). Despre castel, regina Maria scria: Căsuţa mea ciudată de pe malul Mării Negre îmi va da posibilitatea să-mi las imaginaţia să zburde ( ... ) voi numi mica bizarerie, Tenha-Juvah, Cuibul solitar, pentru că toate denumirile de aici sunt turceşti. Emil Guneş a construit şi a doua clădire de pe domeniul regal, Mavi Dalga (Valul albastru) destinată musafirilor, compusă din parter şi două etaje. Mavi Dalga, casa de oaspeţi, este cea mai «adorabilă» perfecţiune ce se poate imagina (Regina Maria, Însemnări). Domeniul a fost extins şi îmbogăţit, luând naştere mai multe pavilioane în jurul palatului mare: pavilionul Izbânda, construit în anul 1936 şi prevăzut cu o sală de cinema, clădirea corpului de gardă, casa intendentului, pavilionul Ciuperca, 3 case pentru personalul responsabil cu viţa-de-vie, pavilionul de odihnă, templul Maria Ruh (lucrare neterminată), pavilionul administraţiei, stupăria, crama, pavilionul Cara Dalga, vila Elisa etc. Unele dintre ele au fost proiectate de arhitectul Guneş, altele, precum pavilionul grănicerilor, de către arhitecta Henriette Delavrancea-Gibory. Alte lucrări: Casa Oştirii Regelui Carol I, str. Cobălcescu, (1932); Cercul Militar din Chişinău; casa gen. Zissu, str. Petre Creţu, Bucureşti: vila Câmpineanu (1922), Bd. Dacia 58 (în colaborare cu arh. Victor Asquini): vilă pe bd. Lascăr Catargiu 3. (Dicţionar al arhitecţilor români (sec. XIX, XX, XXI))

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ChatGPT despre stilul arhitectural al Ministerului de Război din strada Walter Mărăcineanu 1-3:

Introduction to the Architectural Style of "Ministerul de Război"

The building known as "Ministerul de Război" or the Ministry of War, located at Walter Mărăcineanu 1-3 in Bucharest, Romania, is a notable example of neoclassical architecture, reflecting the grandiose and authoritative nature typical of governmental structures from its era. This building is a testament to the architectural ambition and aesthetic preferences prevalent in early 20th-century Romania, designed to convey power, stability, and a sense of historical continuity. The Ministry of War building stands out due to its imposing structure, refined classical details, and the harmonious integration of traditional and modern architectural elements.

Architectural Details

1. Facade and Structure:
The facade of the Ministry of War is characterized by its symmetrical design and classical proportions. The building's overall structure is robust, with a dominant horizontal emphasis. The facade is divided into three main sections, each highlighted by pilasters and cornices that draw the eye across the building's breadth, enhancing its monumental appearance. The central section slightly projects forward, a common neoclassical motif that adds depth and dimension to the facade.

2. Columns and Pilasters:
The use of columns and pilasters is a significant feature of the neoclassical style, and this building employs them to great effect. The central part of the facade is adorned with pilasters that mimic the classical orders, adding a rhythmic verticality to the design. These elements are topped with Corinthian capitals, known for their ornate acanthus leaf designs, which impart a sense of grandeur and sophistication.

3. Windows and Openings:
The windows of the Ministry of War building are uniformly spaced and vertically aligned, contributing to the facade's balanced and orderly appearance. The large, rectangular windows are framed by simple yet elegant moldings, and many feature keystones at the top, a classical architectural element that provides a subtle decorative touch. Additionally, the windows on the upper floors are slightly arched, adding variety and interest to the facade.

4. Cornices and Entablatures:
One of the standout features of this building is its use of cornices and entablatures. The entablature, which runs along the top of the building, is richly decorated with a frieze featuring classical motifs. This decorative band is supported by a pronounced cornice, which casts a shadow over the facade, emphasizing the building's solidity and permanence. The cornice itself is detailed with dentils and other classical ornamentation, enhancing the visual interest and historical authenticity of the design.

5. Balconies and Balustrades:
The central projection of the facade includes a balcony, supported by ornate brackets and enclosed by a balustrade. This balcony not only provides a functional outdoor space but also serves as a focal point in the building's design, breaking up the vertical lines and adding a touch of elegance. The balustrades are intricately designed, featuring a combination of straight and curved elements that create a pleasing contrast.

6. Entrance and Portico:
The main entrance of the Ministry of War is marked by a grand portico, which is both inviting and imposing. The entrance is framed by tall columns, supporting a pediment that echoes the classical temples of ancient Greece and Rome. This pediment is decorated with bas-relief sculptures that depict historical and military themes, reinforcing the building's purpose and significance.

7. Statues and Sculptural Elements:
Complementing the architectural features are various statues and sculptural elements that adorn the building. These include statues of notable historical figures, allegorical representations of virtues such as courage and justice, and decorative reliefs that add depth and narrative to the facade. These sculptures are carefully integrated into the architecture, enhancing the building's aesthetic and symbolic presence.

Conclusion

The Ministry of War building in Bucharest is a quintessential example of neoclassical architecture, reflecting the principles of order, symmetry, and grandeur that define this style. Its facade, with its classical columns, ornate cornices, and detailed sculptures, speaks to the building's historical and governmental importance. The use of traditional architectural elements, combined with the building's imposing scale, ensures that it remains a significant landmark in Bucharest's architectural heritage. This building not only serves its functional role as a governmental structure but also stands as a monument to the architectural and cultural aspirations of its time.

## Specialiști
**Arhitectură:** Leonida Negrescu (clădirea din 1896); Emil Guneș (supraetajare, transformări, 1928); Mircea Alifanti (refacere după bombardamentele din 1944); Octav Doicescu (refacere după bombardamentele din 1944); Nicolae Bădescu (refacere după bombardamentele din 1944)

Sursă: https://www.propertyindex.ro/residential/ministerul-de-razboi