Terenul de la nr. 14-16 era încă liber la 1911, aparținându-i lui G. Cordea. Abia în 1931 aici se va construi imobilul familiei arh. Virginia Andreescu (1894-1962) - ing. Spiru Haret (1892-1970). (Oana Marinache)
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Unii dintre cei care locuiesc în clădirea din Bv. Lascăr Catargiu o numesc „Blocul Avocat Grigore Em. Babenco”
Referințe:
- Oana Marinache, volumul Arhitur, Bulevardul Colțea - Bulevardul Lascăr Catargiu, Editura Istoria Artei, 2019
- Case de arhitecți din București
- FOTO Din creaţia arhitectei Virginia Andreescu Haret
- Traseul arhitectural Virginia Andreescu Haret (traseu complet)
- ITINERAR DE ARHITECT – VIRGINIA HARET
- VIRGINIA SP. HARET (ANDREESCU) - Prima arhitectă care a activat în România
- Arhitecta Virginia Andreescu-Haret (1894–1962)
- ANDREESCU HARET, Virginia
- Doamne de România: Virginia Andreescu Haret, prima femeie arhitect
- ANDREESCU-HARET, Maria Virginia - prima femeie arhitect din România
- Virginia Andreescu Haret (Wikipedia)
- PORTRET: Virginia Andreescu-Haret – prima femeie arhitect a ţării noastre
- Virginia Andreescu Haret, prima femeie arhitect din România (I)/ de Emanuel Bădescu. GALERIE FOTO
- Din portofoliul arhitectei Virginia Haret - Revista Arhitectura 1934
- Bulevardul Lascăr Catargiu – studiu de evoluție istorică a zonei
- Bulevardul Lascăr Catargiu
- Începuturile Bulevardului Lascăr Catargiu
- Elemente distincte ale bulevardului Lascăr Catargiu
- Bulevardul Lascăr Catargiu - arhiva de studii (Coordonare arhive online DITACP Prof. dr. arh. Anca Brătuleanu)
- O plimbare pe bulevardul Lascăr Catargiu: atmosferă relaxată, vile burgheze monumentale
- Sub ochii mei (Andrei Pippidi despre Bv. Lascăr Catargiu și strada Visarion)
- Istorioare bucureștene (Visarion și Lascăr Catargiu)
ChatGPT on the architectural style of Blocul Virginia Haret / Avocat Grigore Em. Babenco, at Lascăr Catargiu 14, Bucharest, by architect Virginia Haret, year 1938: Blocul Virginia Haret / Avocat Grigore Em. Babenco, designed by architect Virginia Haret in 1938, exemplifies the Art Deco style prominent in the late 1930s. This architectural approach is evident in the building's streamlined facade, elegant ornamentation, and symmetrical design which are hallmarks of the Art Deco movement.
This building features a series of layered balconies with curved balustrades that provide a rhythmic visual appeal and a sense of depth to the facade. The balconies are supported by robust, decorative consoles that add both structural and aesthetic value. The facade is segmented by vertical pilasters that rise to meet a horizontally emphasized cornice, contributing to the verticality typical of Art Deco architecture.
The building is also characterized by its rounded corners, which soften the overall appearance and provide a graceful transition between different sections of the facade. Window treatments are another notable aspect, featuring stylized frames that enhance the architectural detailing.
The entrance of the Blocul Virginia Haret / Avocat Grigore Em. Babenco on Lascăr Catargiu 14 in Bucharest features a design that blends functionality with aesthetic detail, reflecting its Art Deco heritage. The entrance is modest yet elegant, situated between two portions of the building with a slight recess that adds depth to the facade.
The doorway is framed by a simple, yet prominent, architrave that supports a small, flat roof serving as a canopy, which adds a sense of protection and prominence to the entrance. This architectural choice not only enhances the doorway's visibility but also provides a dry transition space for entering or leaving the building.
The doors themselves are modern, likely replacements of the original ones, featuring black metal and glass. The design includes decorative metalwork that adds a touch of elegance without overwhelming the simplicity of the entrance. The glass panels within the doors allow for visibility and light, making the entrance feel more welcoming and secure.
The overall presentation of the entrance is clean and well-maintained, suggesting a respect for the building's historical architecture while ensuring practicality and security for its residents. The entrance effectively balances the building's historical value with modern needs, providing a dignified yet accessible entryway.
However, the aesthetic integrity and historical value of Blocul Virginia Haret / Avocat Grigore Em. Babenco are compromised by the use of inconsistent paint colors on different parts of the building. This choice disrupts the visual cohesion and is contrary to urban planning norms and preservation laws, which aim to maintain the architectural uniformity essential to historic buildings. Such modifications can detract from the original artistic intent and potentially lower the building's overall value and character in the eyes of both residents and historians.
Maintaining consistent color schemes and respecting the original designs are crucial for preserving the historical accuracy and visual harmony of Art Deco buildings like Blocul Virginia Haret / Avocat Grigore Em. Babenco, ensuring they remain true representatives of their architectural era and continue to enhance the urban landscape.
