Nr. 55; Propr. gen. Zefkar (1886) / Propr. Grigore Em. Grădișteanu / 1891 casă, demisol + P+E+mansardă, arh. Ctin. Băicoianu (nr. 41) / Propr. I. Grueff (1911) / 1921 grajd, 2 remize, antr. Bellu Sarvasy - Dependința se păstrează și astăzi la limita cu grădina publică. / Imobil Sindicatul Artiștilor, propr. Ministerului Educației Naționale / 1946 reparații radicale după bombardamentele din august 1944 la un etaj, 3 camere (este vorba despre corpul vechi dinspre Gr. Cismigiului, cu 10 camere, avariat 40%); teren liber la str. Brezoianu / Aici se va ridica anterior anului 1958 un imobil, arh. T. Elian, arh. V. Simionescu, ing. C. Pîslaru, Institui Proiect-București (rev. Arhitectura 1958). (Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024)
Referințe:
- Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024
August 2023:
ELIAN(U), Titu Dan (1913 - 1979): Studii: Academia de Arhitectură, dipl. 1938. Activitate în cadrul serviciului de arhitectură CFR din 1937 până în 1957, din 1957, Institutul Proiect Bucureşti. Din 1943 până în 1965 a fost cadru didactic la FA/ IAIM la catedrele de arhitectură şi modelaj. Din 1965 activează în cadrul Direcţiei monumentelor istorice din Bucureşti. Lucrări: gara şi anexele din staţiile Titu, Câmpina, planuri de sistematizare piaţa gărilor din Titu şi Câmpina. În cadrul Ministerului Transporturilor a proiectat clădiri administrative, de exploatare, ansambluri de locuinţe, detalii de sistematizare, lucrări de artă grafică, de prezentare, etc., precum: proiectele clădirilor din gările Hunedoara, Ploieşti Sud, Iaşi-Nicolina, cele de pe linia Piatra Neamţ-Bicaz (Tarcău), proiectul Palatului Regionalei CFR din Craiova, colaborare la proiectele de execuţie, de finisaje şi amenajări interioare ale celui din Bucureşti. Blocuri de locuinţe la Cluj Napoca, Hunedoara, Iaşi (1951-1952), Paşcani, Braşov, complex şcolar Braşov (1951, în colab. cu arh. N. Nedelescu, F. Teodorescu); Sistematizare piaţa Gării de Nord Bucureşti, blocuri de locuinţe str. Brezoianu nr. 50 şi 55, Bucureşti (1957- 1958, în colab. cu arh. V. Simionescu), bloc în Piaţa M. Kogălniceanu (1957-1958, în colab. cu arh. C. Iamandi), ansamblul de blocuri în piaţa Gării de Nord (1961, în colab. cu arh. C. Gherghiceanu, C. Alifanti ş.a.): amenajări sportive la Snagov, Băneasa. Concursuri: Premiul I pentru concursul Hidrocentralei de la Bicaz. După 1965 s-a consacrat cercetării, protejării şi conservării monumentelor istorice şi de arhitectură. (G.P., S.T. - Dicţionar al arhitecturii româneşti moderne (sec. XIX, XX, XXI) Arhitecţi Literele D-H))
ChatGPT despre stilul arhitectural al clădirii din strada Ion Brezoianu 55:
Introduction
The building showcased in the images is an example of mid-20th century residential architecture, reflecting a modernist approach typical of the urban development in Bucharest during the post-war era. The design emphasizes simplicity, functionality, and the use of contemporary materials and techniques, indicative of the broader modernist movement. This analysis will provide a comprehensive description of its architectural style and key features.
Architectural Details
1. Façade Composition: The building’s façade is characterized by its functional design with minimal ornamentation. The use of horizontal and vertical lines creates a structured and orderly appearance. The façade materials include exposed concrete and stucco, which are typical for modernist buildings due to their durability and minimal maintenance requirements.
2. Windows and Balconies: The building features large windows arranged in a horizontal pattern, allowing ample natural light to penetrate the interior spaces. This fenestration design is complemented by continuous balconies on each floor, which not only provide outdoor space for residents but also enhance the building's horizontal emphasis. The windows are framed in metal, reflecting modernist principles of using industrial materials.
3. Entrances and Ground Floor: The main entrance is modest and integrated seamlessly into the building's overall design. It features minimal decorative elements, focusing instead on functionality and ease of access. The ground floor is slightly recessed, creating a sheltered entrance area that serves as a transition space from the street to the building’s interior.
4. Roofline and Building Height: The building has a flat roof, a common feature in modernist architecture, which allows for efficient use of the roof space for utilities and potentially recreational areas. The height of the building is consistent with the surrounding structures, ensuring it blends well within the urban context.
5. Materiality and Construction: Reinforced concrete is the primary material used in the construction of the building, providing structural strength and fire resistance. The concrete is often left exposed or finished with a thin layer of stucco, emphasizing the building's industrial aesthetic. This approach aligns with the modernist principle of “truth to materials,” where the true nature of the materials is celebrated rather than concealed.
6. Balcony Design: The balconies are a significant feature of the building, projecting outward and providing residents with private outdoor spaces. They are designed with simple, clean lines and minimal railing details, further emphasizing the modernist aesthetic. The balconies also help to break the monotony of the façade, adding depth and shadow.
7. Functional Layout: The building’s layout is designed for efficiency and practicality. Each floor is likely organized to maximize usable space, with straightforward circulation paths and well-proportioned living areas. This functional approach is a hallmark of modernist architecture, prioritizing the needs of the occupants.
8. Contextual Integration: The building is designed to fit within its urban setting, respecting the scale and massing of the surrounding structures. It contributes to a cohesive streetscape while maintaining its distinct modernist identity.
Conclusion
The building exemplifies mid-20th century modernist residential architecture with its emphasis on functionality, simplicity, and the use of contemporary materials. Its design reflects the principles of the modernist movement, focusing on practicality, efficiency, and rational architectural solutions. This building not only addresses the housing needs of its era but also contributes to the modern urban identity of Bucharest.
