# Blocul Nathalie Bronsescu

Adresă: Str. Ion Brezoianu nr. 38, Sector 1, Cartierul Centru - Cișmigiu, București
An construcție: 1934
Tip ansamblu: Blocuri
Tip clădire: 6-12 niveluri
Stil arhitectural: Art Deco
Risc seismic: I (pericol public)
Etichete: arhitectura, arhitect, modernist, artdeco, patrimoniu, monument istoric, risc seismic

## Articol
Ion Brezoianu Nr. 38: Propr. Fundățeanu (1889) / Propr. Dna Pilidi / 1907 casă de arh. F. Adamoli / Propr. Pilidi (1911) / Propr. Brânzescu / Propr. Nathalie Bronsescu: 1933-1934 imobil rezultat din suprapunerea de 3 etaje + mansardă parțială peste casa parter, arh. Roger Bolomey (1933), arh. Marcel Locar (1934) (Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024)

Referințe:

- Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024
- Marcel Locar, Arhitectul Bucureştiului a fost elev la Roman-Vodă

- Roger Bolomey (Arhiva de Arhitectură)
- Arhitectul Roger Bolomey (IDentitate)
- Casa Roger Bolomey
- Activitatea arhitectului Roger Bolomey

Mai 2024:

ChatGPT despre stilul arhitectural al clădirii din strada Ion Brezoianu 38:

The building located at Ion Brezoianu 38 in Bucharest is a quintessential example of mid-20th-century modernist architecture, reflecting the principles and aesthetics of the time. This structure embodies the functionalist approach and minimalist design that became prevalent in post-war architecture, marking a departure from the ornate styles of the earlier decades.

The facade of the building is characterized by its stark, unembellished surfaces and geometric forms, which are hallmarks of the modernist movement. The use of horizontal lines is prominent, with rows of windows and balconies creating a rhythmic pattern across the building's exterior. This emphasis on horizontal and vertical lines is indicative of the International Style, which sought to express the structural elements of a building through its form.

One of the most striking features of the building is its extensive use of balconies. These balconies are cantilevered, projecting out from the main facade without the support of visible columns, showcasing the advancements in engineering and materials of the period. The balconies provide functional outdoor space for the residents while contributing to the building's dynamic appearance. They are lined with simple, metal railings, which add to the modern aesthetic without detracting from the overall simplicity of the design.

The building’s facade is rendered in a combination of smooth stucco and exposed concrete, materials commonly used in modernist architecture for their clean, unadorned look and practicality. The stucco is painted in a muted palette, typically shades of beige or gray, which enhances the minimalist appeal and integrates well with the urban environment. Exposed concrete elements highlight the structural aspects of the building, a technique often used to emphasize the honesty of materials in modernist design.

Windows are a crucial element in the building's design, arranged in a repetitive, grid-like pattern that enhances the sense of order and uniformity. The windows are large and rectangular, maximizing natural light and creating a sense of openness within the interior spaces. This focus on large windows is in line with the modernist ideal of creating bright, airy living environments. The window frames are typically made of metal, another modernist preference due to its industrial connotations and sleek appearance.

The ground floor of the building likely houses commercial spaces, a common feature in urban residential buildings of this era. This mix of residential and commercial use reflects the modernist emphasis on functionality and efficiency, aiming to create self-sufficient urban communities. The entrances to these spaces are often recessed and understated, in keeping with the overall minimalist aesthetic.

The building’s layout and structure are based on a grid system, which is evident in the regular spacing of windows and balconies. This grid-based planning is a fundamental aspect of modernist architecture, promoting rationality and order. The structural frame is likely made of reinforced concrete, a material that allowed for greater flexibility in design and construction, enabling the creation of large, open interior spaces without the need for load-bearing walls.

The roof of the building is flat, a departure from the pitched roofs of traditional architecture. Flat roofs are a signature feature of modernist buildings, symbolizing the break from historical styles and the embrace of new, forward-thinking design principles. This flat roof likely accommodates mechanical equipment or communal outdoor spaces, adding to the building's functionalist ethos.

The building’s overall form is straightforward and devoid of unnecessary ornamentation, aligning with the modernist principle that form should follow function. This utilitarian approach is reflected in the building’s practical design, where every element serves a purpose. The lack of decorative features allows the architecture to speak through its form, materials, and structure.

In its urban context, the building at Ion Brezoianu 38 represents the shift towards modernism in mid-20th-century Bucharest. This period saw a movement away from the eclectic and historicist styles of the past towards a more unified, international architectural language. The building’s design reflects the broader socio-economic changes of the time, including the need for efficient, mass-produced housing in rapidly growing cities.

In conclusion, the building at Ion Brezoianu 38 is a notable example of mid-20th-century modernist architecture. Its minimalist design, characterized by clean lines, functional balconies, and a rational grid layout, embodies the principles of the International Style. The use of modern materials such as stucco and concrete, combined with the building’s emphasis on natural light and open spaces, highlights the modernist commitment to creating efficient, livable environments. This building stands as a testament to the architectural and urban development trends of its time, reflecting the shift towards functionalism and simplicity in the post-war era.

## Specialiști
**Arhitectură:** F. Adamoli (casa de la bază, 1907); Roger Bolomey (suprapunere etaje 1933); Marcel Locar (suprapunere etaje 1934)

Sursă: https://www.propertyindex.ro/residential/ion-brezoianu-38