# Casa Conrad și Hans Schiel

Adresă: Str. Ion Brezoianu nr. 21, Sector 1, Cartierul Centru - Cișmigiu, București
Tip ansamblu: Case/Vile
Tip clădire: 1-2 niveluri
Stil arhitectural: Neoclasic
Etichete: arhitectura, arhitect, modernist, artdeco, patrimoniu, monument istoric, risc seismic

## Articol
Nr. 19: Propr. Zoe Economu, căsătorită cu preotul I. Economu / 1911 Zoe Economu apare cu 2 construcții la nr. 3-5

Nr. 21: Propr. Gabriel Cohn / 1883 atelier de lucru, repară casele de la fostul nr. 15 / Propr. Iancu Pantelimonescu / 1911 casa era lipită la calcan de cea de la nr. 5 a lui Economu, dispăruse corpul din dreapta / Propr. Conrad și Hans Schiel (1925)/ Aici era reprezentanța S.A. de electricitate "Ganz". (Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024)

Referințe:

- Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024

Mai 2024:

ChatGPT despre stilul arhitectural al clădirii din strada Ion Brezoianu 21:

The building at Ion Brezoianu 21 presents a compelling example of the transitional architectural style that merges late 19th-century design elements with early 20th-century urban adaptations. This structure, though modest in scale compared to its more ornate neighbors, embodies the characteristics of Eclecticism, which was a prevalent style in Bucharest during this period. The building’s facade, while exhibiting signs of wear and partial renovation, reveals a wealth of architectural details that speak to its historical and aesthetic significance.

The facade is organized in a simple yet balanced manner, featuring a ground floor and an upper story, typical of urban residential buildings of its time. The ground floor is largely unadorned, emphasizing functionality with its broad shopfront windows and a central entrance. These windows are framed with plain moldings, designed to maximize natural light and provide an open display area, which was essential for commercial use. The entrance, positioned off-center to the right, is marked by a simple yet elegant door with a transom window above, which allows additional light into the interior hallway.

The upper story is where the building’s historical character truly shines. Here, the facade is divided into three bays by pilasters that extend from just above the ground floor to the cornice. These pilasters are relatively plain, featuring simple capitals, but they provide a sense of verticality and structure to the facade. Each bay contains a single large window, all framed with decorative moldings. The window frames are topped with curved pediments, a classical element that adds a touch of grandeur to the otherwise straightforward design.

The windows themselves are tall and narrow, typical of the period, allowing for ample light and ventilation. Each window is divided into smaller panes, a detail that hints at the building’s original design and construction techniques. The use of such window designs was common in late 19th and early 20th-century buildings, reflecting both aesthetic preferences and practical considerations of the time.

Above the windows, the facade features a continuous cornice line that runs the width of the building. This cornice is embellished with dentils and small brackets, adding texture and depth to the uppermost part of the facade. The cornice not only serves a decorative purpose but also helps to protect the building’s walls from rainwater runoff.

One of the most distinctive features of the facade is the balcony on the left side of the upper story. This balcony is supported by ornate brackets and features a wrought-iron balustrade with intricate patterns. The use of wrought iron for balconies and railings was a common practice in Bucharest’s urban architecture, adding both functionality and decorative flair. The balcony provides an outdoor space for the upper floor, enhancing the living conditions by offering access to fresh air and views of the street below.

The building’s facade shows signs of age and partial renovation. The upper story retains much of its original stucco work, while the ground floor appears to have undergone modernization, likely to accommodate changing commercial needs. The contrast between the old and new elements highlights the building’s historical evolution and the adaptive reuse that characterizes much of Bucharest’s architectural landscape.

The use of stucco and stone materials in the facade’s construction reflects the building practices of the time. Stucco was a popular choice for urban buildings, offering a smooth, clean surface that could be easily decorated with moldings and other details. Stone was often used for structural elements like the pilasters and window frames, providing durability and a sense of solidity.

Despite its modest size, the building at Ion Brezoianu 21 contributes significantly to the streetscape. Its architectural details, such as the curved window pediments, the wrought-iron balcony, and the decorative cornice, all add to the visual richness of the street. The building stands as a testament to the eclectic architectural trends that dominated Bucharest at the turn of the century, blending classical elements with the practical needs of urban living.

In summary, the building at Ion Brezoianu 21 is an exemplary piece of Bucharest’s architectural heritage. Its facade, with its blend of classical and eclectic elements, reflects the transitional nature of the city’s architectural development during the late 19th and early 20th centuries. The building’s design, characterized by its decorative pilasters, ornate balcony, and detailed cornice, showcases the attention to detail and craftsmanship typical of the period. Despite the wear and renovations, the building retains its historical charm and continues to enhance the architectural diversity of the area. It stands as a reminder of Bucharest’s rich architectural past and the layers of history that contribute to its unique urban fabric.

Sursă: https://www.propertyindex.ro/residential/ion-brezoianu-21