# Palais de Glace (Hotel Princiar)

Adresă: Str. Ion Brezoianu nr. 13 / Bd. Regina Elisabeta nr. 43, Sector 1, Cartierul Centrul Vechi (turistic), București
An construcție: 1945
Tip ansamblu: Hoteluri și cămine
Tip clădire: 2-5 niveluri
Stil arhitectural: Raționalist
Etichete: arhitectura, arhitect, modernist, artdeco, patrimoniu, monument istoric, risc seismic

## Descriere
Aici a fost celebrul Hotelul Princiar, construit prin anii 1900, distrus parțial de bombardamentele din 1944 și reconstruit în forma în care se vede acum. Numele Hotel Central a fost dat mai târziu. Hotel renumit ca bordel în anii interbelici şi de unde ar proveni, potrivit unora, cuvântul „paţachină” (cu sensul de prostituată) deoarece renumitul comerciant Paţac închiriase câteva camere în acest hotel şi adusese câteva fete din Austria care „produceau” pentru el, acestea fiind cunoscute drept „fetele lui Paţac” sau paţachine.

## Articol
Aici a fost celebrul Hotelul Princiar, construit prin anii 1900, distrus parțial de bombardamentele din 1944 și reconstruit în forma în care se vede acum. Numele Hotel Central a fost dat mai târziu. Hotel renumit ca bordel în anii interbelici şi de unde ar proveni, potrivit unora, cuvântul „paţachină” (cu sensul de prostituată) deoarece renumitul comerciant Paţac închiriase câteva camere în acest hotel şi adusese câteva fete din Austria care „produceau” pentru el, acestea fiind cunoscute drept „fetele lui Paţac” sau paţachine şi puteau fi întâlnite şi plimbându-se pe Bulevard şi aruncând ocheade cu subînţeles trecătorilor. (Belkine Gabriel)

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Propr. arh. Oscar Fuchs (1908); în fața Jurnalului „La Roumanie" mai cumpără 61,81mp de la P.M.B. și ridică o clădire cu 5 niveluri (P+3E+m), după propriile planuri- "Palais de Glace" apoi Hotel Princiar; 1917 succesiunea averii lui Fuchs, moștenit de văduva sa, Esthera Lupescu Fuchs, recăsătorită cu av. Leopold Stern, care îi va adopta și copiii, Leopold (n.1912) și Gilberta (n. 1914). Hotelul avea adresa în Brezoianu nr. 3 iar în 1918 devine nr. 1. Imobilul avea 3 prăvălii la parter, 3 etaje și o mansardă, 58 camere de hotel. (Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024)

Referințe:

- Hotel Princiar înainte de anul 1912
- Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024
- 20 Iulie 1927 – 20 Iulie 2012
- Bulevardul Elisabeta în 1915 (Bucureștii Vechi și Noi)
- Bulevardele Elisabeta și Kogălniceanu, Zona construită protejată 06 (foto Cinema Capitol 1943, pag. 5)
- Taierea bulevardului Regina Elisabeta (Cezara Mucenic)
- Ruinele „Broadway-ului” bucureștean! Cum arată acum bulevardul care, înainte de anii ’90, era zona de promenadă a orașului
- ATUNCI ŞI ACUM: Bulevardul Regina Elisabeta
- Cinematografele de lux ale Bucureștiului de altădată
- Cinematografe din vechiul Bucureşti I
- Cinematografe din vechiul Bucureşti II
- Bulevardul Elisabeta sau “Hollywood-ul românesc”
- Primele filme bucureștene
- BULEVARDUL 6 MARTIE: Din 1948 până în 1965, actualul bulevard Elisabeta din centrul capitalei, parte a axei est-vest a orașului, s-a numit bulevardul 6 Martie.
- Bulevardul Regina Elisabeta. Scurtă poveste despre supraviețuire
- „Altă lume, alt oraș!” Iconicul bulevard Elisabeta, în 5 imagini-document care ne plimbă în timp, prin Bucureștiul anilor 50

Mai 2024:

Hotelul Princiar în 1915:

ChatGPT despre stilul arhitectural al clădirii din strada Ion Brezoianu 13:

The building at 13 Ion Brezoianu Street in Bucharest is a fine example of mid-20th-century modernist architecture, reflecting the pragmatic and functional design principles of the era. The structure, with its clean lines and lack of ornate detailing, stands in contrast to its more decorative neighbors, emphasizing simplicity, utility, and a form-follows-function ethos that was characteristic of modernist architectural movements. This building serves as a testament to the evolution of architectural styles in Bucharest, representing a shift towards modernism during the mid-20th century.

The facade of the building is notably plain and unadorned, composed primarily of smooth stucco painted in a light, neutral color. This minimalist approach is a hallmark of modernist design, where the emphasis is placed on the building’s form and function rather than decorative embellishments. The clean, flat surfaces of the facade create a sense of order and clarity, free from the visual complexity that characterizes earlier architectural styles.

The structure rises to several stories, with a rectangular footprint that maximizes the use of urban space. The verticality of the building is accentuated by the regular, grid-like arrangement of windows. These windows are uniformly spaced and identical in size, reinforcing the building’s geometric precision and functional layout. Each window is framed by simple moldings, painted in a contrasting color to subtly highlight their presence without drawing attention away from the overall design.

On the ground floor, the building features large display windows that serve the commercial spaces housed there. These windows are taller and wider than those on the upper floors, creating a visual base that anchors the building and engages with the pedestrian activity at street level. The use of expansive glazing on the ground floor not only allows for natural light to flood the interior spaces but also invites passersby to peer into the commercial establishments, enhancing the building’s interaction with its urban environment.

Above the ground floor, a horizontal band of windows stretches across the facade, providing continuity and visual rhythm. This band separates the commercial base from the residential or office spaces above, creating a clear demarcation between different functional areas of the building. The simplicity of this design element underscores the modernist preference for straightforward, functional forms.

The entrance to the building is modest, marked by a simple doorway that is integrated seamlessly into the facade. This entrance, like the rest of the building, eschews decorative flourishes in favor of functionality and ease of access. A canopy or awning may extend above the doorway, providing shelter and marking the entry point without disrupting the building’s clean lines.

One of the most distinctive features of the building is its flat roof, which is typical of modernist architecture. This flat roof not only contributes to the building’s streamlined appearance but also provides practical benefits, such as additional usable space for mechanical equipment or a rooftop terrace. The roofline is minimally adorned, maintaining the emphasis on simplicity and function.

Despite its unassuming appearance, the building at 13 Ion Brezoianu Street incorporates several design elements that enhance its aesthetic appeal and functionality. The regular arrangement of windows, for example, creates a sense of rhythm and repetition that is pleasing to the eye. The use of different window sizes and placements on the ground floor versus the upper floors adds visual interest and distinguishes the commercial from the residential or office spaces.

The building’s facade, though plain, exhibits a careful attention to proportion and balance. The symmetrical arrangement of windows and the consistent use of materials create a harmonious composition that reflects the modernist ideals of order and clarity. This emphasis on proportion and balance is further reinforced by the building’s overall form, which is simple and unadorned yet meticulously designed.

In terms of its condition, the building appears to be well-maintained, with the stucco facade and window frames in good repair. The light color of the facade helps to reflect sunlight, reducing heat absorption and contributing to the building’s energy efficiency. This practical consideration is in keeping with the modernist emphasis on functionality and efficiency.

The surrounding context of the building, with its mix of architectural styles, highlights the diversity of Bucharest’s urban fabric. While neighboring structures may feature more ornate detailing and historical styles, the building at 13 Ion Brezoianu Street stands out for its modernist approach, offering a glimpse into the city’s architectural evolution and the adoption of new design principles in the mid-20th century.

In conclusion, the building at 13 Ion Brezoianu Street is a notable example of mid-20th-century modernist architecture in Bucharest. Its clean lines, functional design, and minimalist aesthetic reflect the modernist ideals of simplicity, utility, and clarity. The structure’s straightforward form and lack of decorative elements stand in contrast to the more ornate buildings in the area, emphasizing a shift towards modernism and the practical considerations of urban living. Despite its simplicity, the building is thoughtfully designed, with a careful attention to proportion, balance, and functionality, making it a significant part of Bucharest’s architectural heritage.

Sursă: https://www.propertyindex.ro/residential/ion-brezoianu-13