# Blocul Frieda Schwartz

Adresă: Intr. Victor Eftimiu nr. 3, Sector 1, Cartierul Centru - Cișmigiu, București
An construcție: 1925
Tip ansamblu: Blocuri
Tip clădire: 6-12 niveluri
Stil arhitectural: Art Deco
Etichete: arhitectura, arhitect, modernist, artdeco, patrimoniu, monument istoric, risc seismic

## Articol
Fosta proprietate Mora.

Referințe:

- Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024

Mai 2024:

DAVIDESCU, Alexandru (1858-1936, Bucureşti) Tatăl lui Davidescu Ion Alexandru. Este unul dintre primii urbanişti români. Studii: Şcoala de Poduri şi Şosele, Paris, dipl. inginer. Merubru de onoare al Societăţii Arhitecţilor Români. Funcţii: între 1900-1911 este şeful Serviciului construcţii din Primăria Bucureşti; este secretar general al Ministerului Lucrărilor Publice (1911- 1914), unde promovează o serie de lucrări hidrotehnice şi de hidroamelioraţii. A fost preşedintele AGIR. Lucrări: podul de la Cernavodă, colaborator a lui A. Saligny, 1891-1894 conduce execuţia podurilor dunărene, peste braţul Borcea la Feteşti); lucrări de asanare a lacurilor Colentinei (1900- 1911); elaborarea planurilor de sistematizare pentru oraşele Caracal, Slatina, Târgovişte, Braşov şi Bacău. Organizează primul concurs public pentru planurile de sistematizare a Capitalei (1906). Activitate didactică: după 1918, profesor la Şcoala de Poduri şi Şosele din Bucureşti, fiind şeful catedrei de îmbunătăţiri funciare, maşini hidraulice şi construcţia oraşelor (ulterior Şcoala Politehnică) unde a ţinut şi primul curs de urbanism din România. (V. Ţ., G.P. Dicţionar al arhitecţilor români (sec. XIX, XX, XXI))

ChatGPT despre stilul arhitectural al clădirii din Intrarea Victor Eftimiu 3:

The building at Intrarea Victor Eftimiu 3 in Bucharest is a quintessential representation of the early 20th-century urban residential architecture that blends elements of Neoclassicism with the emergent modernist influences of the time. This particular structure showcases the transition from more ornate and classical architectural forms to the simpler, yet still elegant, styles that began to dominate in the early 1900s.

The facade of the building is composed of a symmetrical arrangement that emphasizes verticality and grandeur. The building's height is accentuated by the vertical alignment of windows and the use of pilasters that stretch from the ground level to the roof. This vertical emphasis is a characteristic feature of Neoclassical architecture, which often sought to convey a sense of stability and permanence.

The ground floor is robustly articulated with a rusticated stone facade, creating a solid and imposing base for the structure. Rustication involves the use of deeply cut, textured stone blocks, which provide a striking contrast to the smoother surfaces above. This technique not only adds visual interest but also reinforces the building's foundation, both literally and figuratively.

Above the rusticated base, the upper floors are finished with a smoother stucco facade, punctuated by an array of windows that are both functional and decorative. The windows are framed by simple yet elegant moldings, with the central windows on each floor often featuring more elaborate detailing, such as keystones and pediments, which add a touch of classical elegance to the overall design.

One of the most prominent features of the building is the balcony on the first floor, adorned with an ornate wrought iron railing. The balcony serves both a practical and aesthetic purpose, providing outdoor space for residents while also contributing to the building’s visual appeal. The wrought ironwork is intricately designed, featuring floral and geometric patterns that are typical of the period's decorative arts.

The entrance to the building is centrally located and framed by an elaborate portico. The doorway itself is set back slightly from the facade, creating a sense of depth and inviting entry. Above the doorway, a decorative pediment is supported by pilasters, further emphasizing the classical influences in the design. The use of such elements not only enhances the building's aesthetic appeal but also reflects the importance of the entrance as a focal point.

The building's roofline is relatively simple, with a flat or slightly pitched roof that is typical of urban residential buildings from this period. The cornice, however, is richly detailed, featuring dentils and modillions that add a touch of classical refinement. The roofline is crowned with a parapet, which serves both as a safety feature and as a decorative element that completes the vertical ascent of the facade.

The use of classical elements such as pilasters, pediments, and rustication is characteristic of Neoclassical architecture, which drew inspiration from the classical architecture of ancient Greece and Rome. However, the building also incorporates modernist tendencies, seen in the simpler, more streamlined forms and the functional layout of the interior spaces. This blend of styles reflects the transitional nature of early 20th-century architecture, as designers began to move away from the highly decorative styles of the 19th century towards the more functional and minimalist approaches that would dominate the mid-20th century.

Inside, the building likely features a layout that maximizes light and air flow, with large windows and high ceilings that create a sense of openness and space. The use of quality materials and attention to detail in the interior finishes would also be expected, reflecting the building's status as a desirable urban residence.

The balconies, an essential feature of the facade, are designed to be both decorative and functional. They provide residents with outdoor spaces that enhance the quality of life, while the wrought iron railings add a decorative touch that complements the overall aesthetic of the building. The balconies are supported by decorative brackets, which are both functional and ornamental, adding to the building's architectural interest.

Overall, the building at Intrarea Victor Eftimiu 3 is a fine example of the architectural styles and trends of the early 20th century in Bucharest. It combines the elegance and formality of Neoclassical architecture with the emerging modernist principles of simplicity and functionality. This blend of styles creates a building that is both beautiful and practical, reflecting the changing tastes and needs of the time. The careful attention to detail, the use of high-quality materials, and the harmonious integration of classical and modern elements make this building a noteworthy example of Bucharest's rich architectural heritage.

## Specialiști
**Arhitectură:** Adolphe Guță Davidescu

Sursă: https://www.propertyindex.ro/residential/intrarea-victor-eftimiu-3