# Casa Arhitect Dimitrie Maimarolu

Adresă: Str. George Vraca nr. 6, Sector 1, Cartierul Centru - Cișmigiu, București
An construcție: 1897
Tip ansamblu: Blocuri
Tip clădire: 2-5 niveluri
Stil arhitectural: Eclectic
Monument istoric: clasa B
Etichete: arhitectura, arhitect, modernist, artdeco, patrimoniu, monument istoric, risc seismic

## Descriere
În 1897, arhitectul Dimitrie Maimarolu (1859-1926) și-a construit propria casa din fosta stradă Sf. Ionică nr. 6, actuala George Vraca nr. 6. Descoperim un Maimarolu implicat personal, având de-a face cu propria casă. Este o clădire impozantă, într-un stil funcțional, cu elemente tipice arhitecturii franțuzești, neo-barocului eclectic.

## Articol
În 1897, arhitectul Dimitrie Maimarolu (1859-1926) și-a construit propria casa din fosta stradă Sf. Ionică nr. 6, actuala George Vraca nr. 6. Membru fondator al Societății Arhitecților din România și membru al Societății Politehnice, Dimitrie Maimarolu și-a lăsat amprenta asupra Bucureștiului printr-o serie de clădiri excepționale precum Cercul Militar, Biserica Armenească sau Palatul Patriarhiei (fostă Cameră a Deputaților), însă stilul arhitectului poate fi regăsit și în proiecte civile sau rezidențiale. Acesta este și cazul imobilului din strada George Vraca unde, cu atât mai mult, descoperim un Maimarolu implicat personal, având de-a face cu propria casă. Este o clădire impozantă, într-un stil funcțional, cu elemente tipice arhitecturii franțuzești în care Maimarolu se școlise în perioada 1881-1885 la Școala de Arte Frumoase din Paris. Micile elemente tipice neo-barocului eclectic, stil pe care Maimarolu îl folosește cu prisosință în cazul palatelor, decorează fațada principală a casei care astăzi este un monument istoric reprezentativ al Bucureștiului. (Reptilianul)

Referințe:

- Casa Dimitrie Maimarolu
- Casa de pe George Vraca nr. 6 (arh. Dimitrie Maimarolu)
- Casa D. Maimarolu (Arhiva de Arhitectură)
- Strada George Vraca. Arhitect Dimitrie Maimarolu. Abandonată. Ce trist :(
- Şapte proprietăţi istorice ce pot reînvia cu bani europeni (mențiune Casa arhitectului Dimitrie Maimarolu)
- Arhitect Dimitrie Maimarolu (Centrul Cultural META)
- Dimitrie Maimarolu (Arhiva de Arhitectură)
- Arhitecţi şi arhitectură în periodice de acum un veac (mențiuni Dimitrie Maimarolu)
- Dimitrie Maimarolu (Wikipedia)
- Dimitrie Maimarolu (Pompiliju Sfera)
- Dimitrie Maimarolu (Arhitectură, Restaurare și Urbanism în România)
- O carte pe zi : „Armenii din arhitectura românească" de arh. Ileana Tureanu şi arh. Vasile Telea (mențiuni Dimitrie Maimarolu)

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The building at George Vraca 6 is a significant example of the architectural heritage that characterizes much of Bucharest’s historical urban fabric. This structure, likely dating back to the late 19th or early 20th century, embodies the ornate and eclectic stylistic elements that were prevalent during that era. Though currently shrouded and in a state of disrepair, the intricate details that peek through offer a glimpse into its former grandeur and the architectural movements that influenced its design.

One of the prominent features of this building is its facade, which showcases a blend of neoclassical and baroque revival styles. The use of these styles is indicative of a time when architectural design sought to evoke the grandeur and opulence of classical antiquity and the Baroque period. The facade is richly decorated with intricate stucco work and stone carvings that frame the windows and doors, creating a sense of depth and texture. These decorative elements often include floral motifs, scrollwork, and geometric patterns that are meticulously crafted to add visual interest and elegance to the building.

The windows of the building are particularly noteworthy. They are adorned with elaborate architraves and pediments, which are typical features of neoclassical architecture. The windows on the upper floors are arched, with keystones at their apex, enhancing their classical appearance. These arches are supported by pilasters or engaged columns that add to the verticality and rhythm of the facade. The ground floor windows and doors are likely more robust, designed to provide a sense of solidity and permanence. The overall window arrangement not only serves functional purposes but also contributes to the aesthetic harmony of the building.

Another key feature of the building is its use of balconies, which are supported by ornately carved stone brackets. These balconies are enclosed with wrought iron railings that exhibit the high level of craftsmanship typical of the period. The railings often feature intricate patterns and motifs, adding a decorative yet functional element to the building’s exterior. These balconies provide outdoor space for the occupants while also contributing to the building’s visual appeal.

The cornice at the top of the building is another element that underscores its classical influences. This projecting feature crowns the facade, providing a clear demarcation between the building and the sky. It is often elaborately decorated with dentils, modillions, and other classical moldings that reflect the building’s architectural lineage. The cornice not only serves an aesthetic purpose but also helps in protecting the facade from the elements by directing rainwater away from the walls.

The building’s entrance is designed to be a focal point, often highlighted with additional decorative elements to create a grand and inviting entryway. This might include a grand arch or a portico with columns, further emphasizing the classical inspiration. The doors themselves are typically large and made of wood, with intricate carvings or metalwork that align with the overall decorative theme of the building.

The use of materials in this building is also significant. The facade is likely constructed from a combination of brick and stucco, with stone used for the decorative elements. This combination was common in the period, as it allowed for elaborate detailing while maintaining structural integrity. The choice of materials also reflects the building’s status and the economic conditions of its time, as such detailed and durable construction would have been relatively expensive.

Internally, buildings of this style often feature high ceilings, large windows, and ornate plasterwork. The interiors would have been designed to match the exterior’s opulence, with decorative moldings, ceiling medallions, and possibly even frescoes or murals. The floors would typically be made of wood, often arranged in intricate parquet patterns, adding to the overall sense of luxury.

The building’s condition today, as seen through its covered facade and signs of neglect, tells a story of urban change and the challenges of preserving historical architecture. The protective netting suggests ongoing or anticipated restoration efforts, which are crucial for maintaining the building’s structural integrity and historical value. Such buildings are important cultural assets, providing a tangible connection to the past and enriching the urban landscape.

In the context of Bucharest, buildings like the one at George Vraca 6 are part of the city’s rich architectural tapestry. They represent the city’s historical development, influenced by various architectural styles from different periods. The eclectic mix seen in this building reflects Bucharest’s position at the crossroads of East and West, where diverse influences converge to create unique architectural expressions.

In conclusion, the building at George Vraca 6 is a quintessential example of the architectural elegance of its time. With its richly decorated facade, classical window arrangements, ornate balconies, and imposing cornice, it embodies the blend of neoclassical and baroque revival styles. Despite its current state of disrepair, the building’s enduring beauty and historical significance shine through, underscoring the importance of preservation and restoration efforts in maintaining the cultural heritage of Bucharest.

## Specialiști
**Arhitectură:** Dimitrie Maimarolu

Sursă: https://www.propertyindex.ro/residential/george-vraca-6