# Domnița Anastasia 13 / Ion Brezoianu 7 Adresă: Str. Domnita Anastasia nr. 13 / Str. Ion Brezoianu nr. 7, Sector 5, Cartierul Centrul Vechi (turistic), București An construcție: 1981 Tip ansamblu: Blocuri Tip clădire: 6-12 niveluri Stil arhitectural: Modernist socialist Etichete: arhitectura, arhitect, modernist, artdeco, patrimoniu, monument istoric, risc seismic ## Descriere Aici s-a aflat Blocul Belvedere, construit în 1939, căzut la cutremurul din 1977 ## Articol Nr. 7 colț str. Domnița Anastasia: Foste propr. G. Clainman, Vanghelie Atanasiu; Propr. Alex.Rălescu (1911); Aici s-a aflat Blocul Belvedere, construit în 1939, căzut la cutremurul din 1977. Bloc comunist; arh. Camelia Cristian. Referințe: - Oana Marinache, Arhitur – Strada Brezoianu și zona Grădinii Cișmigiului, Asociația și Editura Istoria Artei, 2024 - Ciocnirea a două epoci de dezvoltare a centrului Bucureștiului. - Bucureştii văzuţi de la etajul doisprezece CRISTIAN, Camelia (1951-2014) Studii: IAIM. Dipl 1974. Lucrări: în IPB: colaborator la Blocul Alba, Cal. Victoriei; Bloc Brezoianu 7; blocuri în ans. Parcul Tineretului; şef proiect la consolidarea şi reamenajarea aripii din str Luterană a Hotelului Bucureşti; colaborator la blocuri în b-dul Unirii şi Sedii Ministere latura Nord a bulevardului Unirii; colaborare Amenajare restaurant Cina (1991); colaborare la amenajarea pavilion acces la Politehnică; amenajare bibliotecii de cartier; Locuinţe P +4, şef proiect Sediu BRD, b-dul Unirii; Colaborator la PUZ Piaţa Victorie, PUZ parcare Universitate, Romană, Piaţa Amzei; coordonator fonduri PHARE 2000 pentru Reţele subterane; studii privind situaţia secţiilor de neonatologie a cinci spitale din Transilvania, pentru alocare fonduri Banca Mondială. În cadrul SC Cardinal D'Arch. SRL: autor la Biblioteca metropolitană sector 5; depozite Mogoşoaia; sediul poliţiei Mogoşoaia. (Dicţionar al arhitecţilor români - literele A-C) Mai 2024: ChatGPT despre stilul arhitectural al clădirii din strada Domnița Anastasia 13: The architectural style of the building in the second set of images represents a shift in urban development that took place during the mid-20th century. This period marked a significant change in architectural priorities and design philosophies, largely influenced by the need for functional, affordable, and quickly constructed residential solutions in rapidly growing urban areas. This building exemplifies the characteristics of post-war modernist architecture, which emphasized simplicity, utilitarianism, and the efficient use of materials and space. One of the most prominent features of the building is its functionalist design, typical of mid-20th-century architecture. The building's form follows a straightforward, box-like structure, prioritizing functionality over ornamental aesthetics. This approach aligns with the principles of the International Style, which emerged in the 1920s and 1930s and continued to influence architectural practices for decades. The International Style is characterized by an emphasis on volume over mass, the use of lightweight materials, and a rejection of unnecessary decoration. The building's façade is primarily composed of concrete, a material widely used during this period due to its affordability, durability, and ease of use. The concrete surface is left mostly unadorned, reflecting the modernist ethos of "less is more." This approach not only reduces construction costs but also aligns with the aesthetic of austerity and minimalism that was prevalent in post-war architecture. A significant aspect of the building's design is the use of large, rectangular windows arranged in a grid pattern. This arrangement maximizes natural light penetration into the interior spaces, a key consideration in modernist architecture aimed at improving living conditions. The windows are functional and pragmatic, designed to provide ventilation and light without the added complexity of decorative frames or embellishments. Balconies are another notable feature of the building, protruding from the façade in a staggered arrangement. These balconies serve both functional and aesthetic purposes. Functionally, they provide outdoor space for residents, a valuable addition in dense urban environments. Aesthetically, the staggered balconies break the monotony of the façade, adding a dynamic element to the otherwise plain exterior. The balconies are constructed with simple metal railings, adhering to the overall minimalist design. The ground floor of the building is dedicated to commercial use, as indicated by the presence of shops and businesses. This mixed-use approach is a common feature in urban architecture, reflecting the need to integrate residential and commercial functions within the same building to optimize space in densely populated areas. The commercial spaces on the ground floor have larger windows and entrances, designed to attract customers and facilitate business operations. One of the defining characteristics of this building is its emphasis on verticality. The tall, slender form of the building rises several stories, a response to the need for high-density housing in urban centers. The vertical emphasis is further accentuated by the uniform grid of windows and the continuous lines of the balconies, creating a rhythmic pattern that guides the eye upwards. The building's roofline is flat, another hallmark of modernist design. Flat roofs were preferred in modernist architecture for their simplicity and ease of construction. They also offer practical benefits, such as the potential for rooftop gardens, terraces, or utility spaces. The absence of decorative cornices or parapets aligns with the modernist rejection of unnecessary ornamentation. In terms of its urban context, the building stands in stark contrast to its more ornate, historically influenced neighbors. This juxtaposition highlights the architectural evolution that urban areas underwent during the mid-20th century. While older buildings often feature elaborate façades with intricate details, this modernist structure presents a clean, unadorned aesthetic focused on functionality and efficiency. The use of air conditioning units, visible on the façade, indicates adaptations made to the building to meet contemporary needs. These units are a practical addition, reflecting the evolution of living standards and the incorporation of modern amenities in older structures. Overall, the architectural style of this building is a clear representation of mid-20th-century modernism, characterized by its functionalist approach, minimalist aesthetic, and emphasis on verticality and efficiency. The building embodies the principles of the International Style, which sought to create a new architectural language that was appropriate for the modern age—simple, utilitarian, and devoid of historical references. This style emerged as a response to the social, economic, and technological changes of the time, prioritizing practicality and affordability in the wake of global conflicts and economic challenges. As such, the building not only serves as a functional residential and commercial space but also stands as a historical marker, reflecting the architectural and urban development trends of its era. In conclusion, the building’s design is a testament to the principles of modernist architecture, emphasizing simplicity, functionality, and the efficient use of materials and space. Its unadorned concrete façade, grid-like window arrangement, and functional balconies all contribute to its utilitarian aesthetic, while its vertical form addresses the need for high-density housing in urban centers. This architectural style, rooted in the International Style, remains a significant part of the urban landscape, representing a pivotal period in the evolution of architectural design. ## Specialiști **Arhitectură:** Camelia Cristian Sursă: https://www.propertyindex.ro/residential/domnita-anastasia-13