# Casa Emanuel şi Catherina Kretzulescu Adresă: Bd. Dacia nr. 15 / Str. Henri Coanda nr. 18, Sector 1, Cartierul Piața Victoriei - Romană, București An construcție: 1912 Tip ansamblu: Case/Vile Tip clădire: 2-5 niveluri Stil arhitectural: Eclectic Etichete: arhitectura, arhitect, modernist, artdeco, patrimoniu, monument istoric, risc seismic ## Articol Referințe: - Dumitru (Dimitrie) Berindey (Berindei) (META) - Dimitrie Berindei (Arhiva de Arhitectură) - Familia Berindei. Portretul unor aristocrați ai spiritului. Convorbiri cu academicianul Dan Berindei - Ion D. Berindey (1871-1928) (META) - Ion D. Berindey ne dezvăluie bogăția din Bucureștiul aristocrat - Ion D. Berindey (de Sidonia Teodorescu) - Ion D. Berindey (1871-1928) - Traseul Cultural Berindey – micul PARIS cu adevarat - Traseul Cultural Ion D. Berindey (Răzvan Lăcraru) - Arhitectul Ion D. Berindei - Ion D. Berindey (Wikipedia) - Ion D. Berindey - o figură remarcantă în arhitectura română - Reședințe Bucureștene - arhitect Ion D. Berindey - ION D. BERINDEI, 150 DE ANI DE LA NAȘTERE - Ion D. Berindey (Arhitectură, Restaurare și Urbanism în România - grup Facebook) - Ion D. Berindey - un arhitect pentru secole | Clădirile care fac cinste României - Clădiri mai puţin cunoscute ale arhitectului Ion D. Berindey, autorul Palatului Cantacuzino - Arhitect BERINDEY (BERINDEI), Ion (Ioan) I. - META - Ion I. Berindei - Arhiva de Arhitectură - BERINDEY (BERINDEI), Ion (Ioan) D. (META) - Reședințe bucureștene în stil Berindey - Bd Dacia, Bucuresti – sau cum sa bati la picior o particica de istorie veche de peste 100 de ani - Bulevardul Dacia, zona protejata - manual de bune practici Iunie 2023: ChatGPT despre stilul arhitectural al clădirii din bulevardul Dacia 15: The building located at Dacia 15 in Bucharest is a quintessential example of neoclassical architecture, a style that emphasizes symmetry, simplicity, and grandeur derived from classical antiquity. This architectural style was predominant in Europe from the mid-18th century to the early 19th century and saw a revival in the late 19th and early 20th centuries, influencing the design of public buildings, palaces, and private residences. The building’s design reflects this neoclassical influence through its adherence to classical orders, proportions, and decorative elements that convey a sense of elegance and timelessness. The façade of the building is characterized by its strict symmetry and the use of classical elements. The structure is composed of three main stories, each carefully proportioned to create a balanced and harmonious appearance. The ground floor is distinguished by its use of rusticated stonework, giving it a robust and sturdy base. The rustication not only adds texture to the façade but also visually anchors the building, creating a contrast with the smoother upper stories. A prominent feature of the façade is the series of arched windows on the first floor, which are tall and narrow, echoing the proportions seen in classical Roman and Renaissance architecture. Each window is framed by pilasters, which are flat, rectangular columns that project slightly from the wall. These pilasters follow the Corinthian order, identifiable by their ornate capitals adorned with acanthus leaves. The use of pilasters provides a vertical emphasis, drawing the eye upwards and enhancing the building’s grandeur. Above each window on the first floor, there are decorative pediments, which are triangular and feature intricate carvings. These pediments add an element of classical refinement and are supported by consoles that are equally ornate. The pediments break the flatness of the façade and provide visual interest, demonstrating the neoclassical emphasis on ornamentation derived from ancient Greek and Roman architecture. The second floor continues the theme of classical elegance with rectangular windows that are similarly framed by pilasters. However, these windows are topped with simpler, more understated entablatures, reflecting the hierarchical nature of neoclassical design where the most elaborate details are reserved for the principal floor, known as the piano nobile. This arrangement highlights the importance of the first floor in the overall composition of the building. The roofline of the building is adorned with a classical cornice, which is richly decorated with dentils and modillions. The cornice serves as a crowning element, projecting outward and creating a clear termination point for the façade. This feature is typical of neoclassical architecture, where the cornice plays a crucial role in framing the building and adding to its monumental appearance. One of the most distinctive elements of this building is its mansard roof, a feature commonly associated with French neoclassical architecture. The mansard roof is characterized by its steeply sloping sides and flat top, often with dormer windows projecting from the roofline. These dormer windows provide additional light and ventilation to the attic space and are framed with ornate moldings and pediments, continuing the classical theme. The entrance to the building is centrally located and marked by a grand doorway. This entrance is framed by a pair of Corinthian columns, which support an entablature and a balcony above. The balcony is enclosed with wrought iron railings, adding a touch of elegance and providing a visual focus for the central axis of the façade. The use of columns and a prominent entrance is a direct reference to classical temple architecture, emphasizing the building’s grandeur and formality. The overall color palette of the building is likely composed of muted tones such as cream or beige, which are common in neoclassical architecture. These colors enhance the classical details without overwhelming them, allowing the intricate carvings and moldings to stand out. The use of natural stone and stucco also adds to the building’s refined and elegant appearance. The side elevations of the building are designed with similar attention to detail, maintaining the symmetry and classical proportions seen on the main façade. This consistency in design reinforces the building’s architectural integrity and showcases the meticulous craftsmanship involved in its construction. The building’s setting on Dacia Boulevard further enhances its significance. Dacia Boulevard is known for its collection of historic buildings, each contributing to the rich architectural tapestry of Bucharest. The neoclassical design of this building not only reflects the architectural trends of its time but also stands as a testament to the city’s cultural and historical heritage. In conclusion, the building at Dacia 15 is a magnificent example of neoclassical architecture, characterized by its symmetrical design, classical proportions, and rich decorative elements. Its use of pilasters, pediments, and a mansard roof reflects the influence of ancient Greek and Roman architecture, while its elegant detailing and harmonious proportions demonstrate the sophistication and refinement of the neoclassical style. This building not only embodies the architectural ideals of its time but also contributes to the historical and cultural narrative of Bucharest, standing as a symbol of the city’s rich architectural heritage. ## Specialiști **Arhitectură:** Ion D. Berindey Sursă: https://www.propertyindex.ro/residential/dacia-15