Pitar Moș nr. 16: Biserica Pitar Moș; ? biserică de lemn; 1795 prima ctitorie de zid; 1898 refăcută de arh. Ștefan Ciocârlan, antr. Ghe. Ștefănescu, pictor Fr. Elsner: 1964-1966 pictura refăcută de Olga Greceanu și preotul Sofian Boghi / Dionisie Lupu Nr. 45: Curtea Bisericii Pitar Moș "Adormirea Maicii Domnului", Casa parohului de la Pitar Moș, Alexandru Bocancea, 1897 arh. I. Câmpineanu (Oana Marinache - ARHITUR, Strada Dionisie Lupu și împrejurimi, Asociația și Editura Istoria Artei, 2019)
Referințe:
- Oana Marinache - ARHITUR, Strada Dionisie Lupu și împrejurimi, Asociația și Editura Istoria Artei, 2019
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ChatGPT despre stilul arhitectural al Casei Parohului Alexandru Bocancea din strada Dionisie Lupu 45:
The building depicted in the images is a remarkable example of late 19th-century Romanian architecture, specifically built in 1897 by the architect I. Câmpineanu. This structure, associated with the Pitar Moș Church, showcases a blend of traditional and eclectic architectural styles, reflecting the transitional period in Romanian architecture during that era. The building, likely serving as the parsonage for the church, exemplifies the detailed craftsmanship and stylistic diversity characteristic of that time.
The façade of the building is characterized by its balanced composition and intricate detailing. One of the most prominent features is the symmetrical arrangement of windows and doors, which is a hallmark of traditional architectural styles. The windows are tall and narrow, topped with arched lintels that add a sense of elegance and verticality to the façade. Each window is framed by decorative moldings, which include floral and geometric patterns, enhancing the building's visual appeal.
Above the windows, the cornice is supported by a series of brackets, known as modillions, which are intricately carved and add to the overall decorative richness of the building. This cornice not only serves a practical purpose by helping to divert rainwater away from the walls but also adds a classical touch to the façade, reflecting the influence of Neoclassical architecture.
The roof of the building is another notable feature, designed in the Mansard style, which was popular in Europe during the 19th century. The Mansard roof, with its steep sides and flat top, not only adds to the aesthetic appeal of the building but also provides additional living space in the attic. The roof is covered with metal sheets, which are both durable and practical. The presence of dormer windows within the roof allows natural light to penetrate the attic space, making it more usable.
One of the distinctive elements of the building is the use of stucco and rusticated stonework on the exterior walls. The smooth stucco provides a clean and polished finish, while the rusticated stonework at the base adds texture and a sense of solidity. This combination of materials creates a visually interesting contrast and highlights the building's structural elements.
The entrance to the building is marked by a large, arched doorway, which is set within a recessed porch. This porch is supported by simple columns, adding to the classical feel of the building. Above the entrance, there is a decorative frieze, featuring intricate floral motifs that are characteristic of the eclectic style. This combination of traditional and eclectic elements creates a harmonious and balanced aesthetic.
One of the most striking features of the building is the series of murals that adorn the upper portion of the exterior walls. These murals, depicting various religious scenes, are framed by ornate moldings and add a significant cultural and artistic value to the structure. The use of murals is relatively uncommon in residential architecture, making this building particularly unique. These murals not only serve a decorative purpose but also reflect the building's close association with the adjacent church.
The side elevation of the building continues the theme of intricate detailing and balanced composition. The windows on this elevation are similarly framed by decorative moldings and topped with arched lintels. The continuity in design ensures that all aspects of the building are visually cohesive and harmonious. This attention to detail and consistency is a hallmark of the architect I. Câmpineanu's work.
The garden and surrounding landscape play an integral role in the overall design of the building. The entrance is accessed via a small gate, which opens onto a path leading to the main door. This path is lined with greenery, creating a welcoming and serene approach to the building. The garden itself is modest but well-maintained, providing a pleasant contrast to the urban surroundings. This integration of architecture and landscape is an important aspect of traditional Romanian design, which often seeks to create a harmonious relationship between the built and natural environments.
The building's interior, though not visible in the images, is likely to reflect the same principles of elegance and functionality. Traditional Romanian interiors from this period often include high ceilings, large windows, and spacious rooms, all arranged to maximize natural light and create a comfortable living environment. Decorative elements such as moldings, fireplaces, and parquet flooring would also be expected, adding to the overall sense of refinement and sophistication.
In summary, the building is an excellent example of late 19th-century Romanian architecture, showcasing a blend of traditional and eclectic styles. Designed by the architect I. Câmpineanu in 1897, it features a Mansard roof, symmetrical façade, and intricate decorative details. Key elements include tall, arched windows, a prominent cornice supported by modillions, and a combination of stucco and rusticated stonework. The presence of religious murals adds a unique cultural and artistic dimension to the building. The careful integration of architecture and landscape creates a harmonious and aesthetically pleasing environment. This building stands as a testament to the rich architectural heritage of Romania and the skill of its architects.
