# Casa Inginer Daniel Patrulius

Adresă: Str. Dionisie Lupu nr. 43, Sector 2, Cartierul Piața Victoriei - Romană, București
An construcție: 1880
Tip ansamblu: Case/Vile
Tip clădire: 1-2 niveluri
Stil arhitectural: Beaux-Arts
Etichete: arhitectura, arhitect, modernist, artdeco, patrimoniu, monument istoric, risc seismic

## Descriere
Casa Inginer Daniel Patrulius a fost reabilitată în 1905 de arhitectul Ion D. Berindey, fiind ridicată încă din 1880. Proprietarul, Daniel Patrulius, s-a numărat printre bursierii trimişi în Paris, în timpul lui Cuza.

## Articol
Dionisie Lupu Nr. 43, colț cu str. A. Verona: 1831 Pascali logofătul Tărtășescu cumpără de la Bobe Ișlicarul / 1865 vândută de fiul Tărtășescu lui Andrei Predescu / 1880 devine proprietatea ing. Patrulius / 1905 casa este refăcută de arh. Ion D. Berindey / A fost moștenită de fiul lui Patrulius, George Pillat. (Oana Marinache - ARHITUR, Strada Dionisie Lupu și împrejurimi, Asociația și Editura Istoria Artei, 2019) / Casa Inginer Daniel Patrulius a fost reabilitată în 1905 de arhitectul Ion D. Berindey, fiind ridicată încă din 1880. Proprietarul, Daniel Patrulius, s-a numărat printre bursierii trimişi în Paris, în timpul lui Cuza. (Oana Marinache)

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De menționat este și faptul că toate anexele, împrejmuirile, grajdurile, reparațiile simple și radicale, schimbările ușilor și ferestrelor sau recompartimentările interioare au făcut obiectul autorizării construirii. Spre exemplu, pentru ansamblul citat din Intrarea Sfatului, în 1909 a fost obținută o autorizație de construire pentru două camere, bucătărie și latrină în partea din stânga a curții (actualmente Intrarea Sfatului nr. 3), precum și o „extindere pentru încă o bucătărie și o cameră” la casele din față (E. Grigorescu nr. 4), arhitect fiind Gh. D. Nedelescu. În cazul Casei ing. Daniel Patrulius (ante 1889, refăcută în 1905 de arh. I. Berindei, Str. Dionisie Lupu nr. 43), inginerul solicită, în 1888, autorizarea construirii unei private pentru servitori, peste hazna, și a unui coteț de păsări sub același acoperiș. (studiu istoric)

Referințe:

- [Oana Marinache, ARHITUR, Strada Dionisie Lupu și împrejurimi, Asociația și Editura Istoria Artei, 2019]
- Studiu istoric de fundamentare, zona protejată nr. 34 - Pitar Moș, definirea regimului tehnic al construcțiilor supuse autorizării (UAIM/Quattro Design)

- Familia Berindei. Portretul unor aristocrați ai spiritului. Convorbiri cu academicianul Dan Berindei
- Ion D. Berindey (1871-1928) (META)
- Ion D. Berindey ne dezvăluie bogăția din Bucureștiul aristocrat
- Ion D. Berindey (de Sidonia Teodorescu)
- Ion D. Berindey (1871-1928)
- Traseul Cultural Berindey – micul PARIS cu adevarat
- Traseul Cultural Ion D. Berindey (Răzvan Lăcraru)
- Arhitectul Ion D. Berindei
- Ion D. Berindey (Wikipedia)
- Ion D. Berindey - o figură remarcantă în arhitectura română
- Reședințe Bucureștene - arhitect Ion D. Berindey
- ION D. BERINDEI, 150 DE ANI DE LA NAȘTERE
- Ion D. Berindey (Arhitectură, Restaurare și Urbanism în România - grup Facebook)
- Ion D. Berindey - un arhitect pentru secole | Clădirile care fac cinste României

- Clădiri mai puţin cunoscute ale arhitectului Ion D. Berindey, autorul Palatului Cantacuzino
- Arhitect BERINDEY (BERINDEI), Ion (Ioan) I. - META
- Ion I. Berindei - Arhiva de Arhitectură
- BERINDEY (BERINDEI), Ion (Ioan) D. (META)
- Reședințe bucureștene în stil Berindey
- Bd Dacia, Bucuresti – sau cum sa bati la picior o particica de istorie veche de peste 100 de ani
- Bulevardul Dacia, zona protejata - manual de bune practici
- [Cristina Woinaroski, Lotizarea și parcul Ioanid, Editura Simetria, 2006]
- [Oana Marinache, ARHITUR, Parcelări publice și private I, Asociația și Editura Istoria Artei, 2019]

Mai 2024:

ChatGPT despre stilul arhitectural al Casei Inginer Patrulius din strada Dionisie Lupu 43:

The building shown in the images is a fine example of early 20th-century Romanian architecture, redesigned in 1905 by the renowned architect Ion D. Berindey. Berindey, one of the most influential architects in Romania at the turn of the century, was known for his eclectic approach, incorporating elements from various architectural styles to create buildings that were both functional and aesthetically pleasing. This particular building is a testament to his skill and vision, blending elements of Neoclassical and Beaux-Arts styles, which were popular in Romanian urban architecture at the time.

The façade of the building is characterized by its restrained elegance and symmetrical composition, typical of Neoclassical architecture. The structure features a balanced arrangement of windows and doors, all framed with simple yet refined moldings. The walls are finished with smooth stucco, which gives the building a clean and polished appearance. This smooth surface is occasionally interrupted by rusticated stonework at the base, adding texture and visual interest.

One of the most distinctive features of the building is its mansard roof, which is indicative of the Beaux-Arts influence. The roof is covered with sheet metal and features a series of dormer windows, each topped with a curved pediment. These dormers not only add to the visual appeal of the roofline but also allow natural light into the attic space, making it more usable. The use of a mansard roof is both a practical and aesthetic choice, providing additional living space while enhancing the building's overall silhouette.

The windows on the ground floor are tall and narrow, with arched tops that are framed by decorative moldings. These arches are a classic element of Neoclassical design, adding a sense of grandeur and elegance to the façade. Below each window is a small balustrade, reminiscent of those found in classical architecture. These balustrades add a decorative element while also serving a practical function, providing a safety barrier for the windows.

The main entrance is marked by a large, arched doorway, which is set within a recessed porch. This porch is supported by simple pilasters, which add to the classical feel of the building. Above the entrance is a decorative frieze, featuring floral motifs that are characteristic of Beaux-Arts design. This combination of Neoclassical and Beaux-Arts elements creates a harmonious and balanced aesthetic, which is further enhanced by the careful attention to proportion and detail.

The building's cornice is another notable feature. It is supported by a series of brackets, known as modillions, which are intricately carved and add to the overall decorative richness of the façade. This cornice not only adds a visual cap to the building but also serves a practical function, helping to divert rainwater away from the walls. The presence of such detailed craftsmanship is a testament to the quality of the construction and the attention to detail that was typical of Berindey's work.

The side elevation of the building continues the theme of restrained elegance, with simple moldings and a similar arrangement of windows. The continuity in design ensures that all aspects of the building are visually cohesive and harmonious. This attention to detail and consistency is a hallmark of Berindey's architectural style, which often sought to create buildings that were both beautiful and functional.

The garden and surrounding landscape are integral to the overall design of the building. The entrance is accessed via a small gate, which opens onto a path leading to the main door. This path is lined with greenery, creating a welcoming and serene approach to the building. The garden itself is modest but well-maintained, providing a pleasant contrast to the urban surroundings.

The interior of the building, though not visible in the images, is likely to reflect the same principles of elegance and functionality. Berindey's designs often included high ceilings, large windows, and spacious rooms, all arranged to maximize natural light and create a comfortable living environment. Decorative elements such as moldings, fireplaces, and parquet flooring would also be expected, adding to the overall sense of refinement and sophistication.

In summary, the building is an excellent example of early 20th-century Romanian architecture, redesigned by Ion D. Berindey in 1905. It blends elements of Neoclassical and Beaux-Arts styles, resulting in a structure that is both elegant and functional. Key features include the mansard roof with dormer windows, the symmetrical façade with arched windows and decorative moldings, and the detailed cornice supported by modillions. The careful attention to proportion and detail, along with the integration of the building with its surrounding landscape, creates a harmonious and aesthetically pleasing design. This building stands as a testament to Berindey's architectural vision and his ability to create timeless and beautiful urban residences.

## Specialiști
**Arhitectură:** Ion D. Berindey (refacere, 1905)

Sursă: https://www.propertyindex.ro/residential/casa-inginer-patrulius