# Casa Lascăr Catargiu (Casa I Alexandru Săvulescu) Adresă: Str. Biserica Amzei nr. 30, Sector 1, Cartierul Piața Victoriei - Romană, București An construcție: 1883 Tip ansamblu: Case/Vile Tip clădire: 2-5 niveluri Stil arhitectural: Neoclasic Etichete: arhitectura, arhitect, modernist, artdeco, patrimoniu, monument istoric, risc seismic ## Descriere Casa lui Lascăr Catargiu, unul dintre cei mai cunoscuți reprezentanți ai partidului Conservator din secolul al XIX-lea. Ea a fost proiectată de arhitectul Alexandru Săvulescu (care a realizat Palatul Poştelor şi Telegrafului, actualmente Muzeului Național de Istorie a României), şi construită în 1883. A rămas în picioare, în condiții relative bune, și după naționalizare. ## Articol Pe strada Biserica Amzei 30, între Piața Romană și Calea Victoriei, se află casa în care găsim restaurantul Bario. Este o vilă construită în secolul al XIXlea, reședință a unei familii aristocratice – familia Catargiu. Este casa lui Lascăr Catargiu, unul dintre cei mai cunoscuți reprezentanți ai partidului Conservator din secolul al XIX-lea. Ea a fost proiectată de arhitectul Alexandru Săvulescu (care a realizat Palatul Poştelor şi Telegrafului, actualmente Muzeului Național de Istorie a României), şi construită în 1883. A rămas în picioare, în condiții relative bune, și după naționalizare. Poate a avut noroc și fiindcă a găzduit instituții și nu a fost împărțită în locuințe improvizate. A fost o grădiniță prin anii 50, apoi sediul Notariatului Municipal de la începutul anilor 60 până la începutul anilor 90. De atunci a fost restaurată, devenind restaurant. (Ion Diamandi) Referințe: - Casa I Alexandru Săvulescu (Arhiva de Arhitectură) - Casa II Alexandru Săvulescu (Arhiva de Arhitectură) - Viața nouă a unei vechi reședințe aristocratice (lifeandstyle.ro) - Alexandru Săvulescu (comentariu critic) - Alexandru Săvulescu (Wikipedia) - #Aiciastat arhitectul Alexandru Săvulescu Mai 2023: ChatGPT despre stilul arhitectural al clădirii din strada Biserica Amzei 30: The building, designed by the architect Alexandru Săvulescu in 1883, exemplifies the architectural grandeur of late 19th-century Bucharest. This edifice, located at Biserica Amzei 30, embodies the eclectic style that was prevalent during that period, combining elements of neoclassicism with the ornamental richness of the Beaux-Arts movement. At first glance, the building's symmetrical façade immediately captures attention, reflecting the neoclassical emphasis on balance and order. The central entrance is prominently positioned and accessed via a grand staircase, which not only elevates the entryway but also serves as a focal point for the entire composition. The stairs lead to a portico, supported by elegant columns that are characteristic of classical architecture. The portico is topped by a semi-circular fanlight, which adds a touch of lightness and refinement to the structure. Above the entrance, a richly decorated pediment houses a bas-relief, a common feature in Beaux-Arts architecture, depicting classical motifs or scenes. This artistic element adds both visual interest and cultural depth, suggesting themes of history, mythology, or the arts. The pediment is flanked by two circular medallions, which contain sculpted busts or decorative motifs, further enhancing the façade's ornate quality. The windows on either side of the entrance are tall and narrow, typical of neoclassical design, allowing ample light to penetrate the interior spaces. Each window is adorned with decorative moldings and topped with a triangular pediment, adding to the building’s classical appearance. The lower sections of these windows feature balustrades, which not only provide safety but also contribute to the façade's intricate detailing. The upper story, while simpler in comparison, continues the theme of symmetry and classical ornamentation with evenly spaced windows and subtle decorative elements. One of the defining features of this building is its elaborate cornice, which runs along the top of the façade. This cornice is richly decorated with dentils and other classical motifs, creating a strong horizontal line that caps the structure and emphasizes its solidity. The cornice projects outward slightly, casting shadows that add depth and dimension to the façade. The walls of the building are finished in a smooth plaster, painted in a warm, earthy tone that complements the surrounding greenery and the overall aesthetic of the area. This choice of color and finish not only highlights the architectural details but also helps the building blend harmoniously with its environment. The ground floor is distinguished by its rusticated stonework, a technique where the stone is textured to create a sense of robustness and durability, contrasting with the smoother upper stories. The eclectic style of the building is also evident in the variety of decorative elements that adorn its façade. These include floral swags, garlands, and other sculptural details that add a layer of visual richness and complexity. Such ornamentation is typical of the Beaux-Arts movement, which valued elaborate decoration and craftsmanship. In addition to its aesthetic qualities, the building's design reflects practical considerations as well. The tall windows and high ceilings would ensure that the interior spaces are well-lit and ventilated, creating a comfortable and healthy living environment. The portico provides shelter from the elements, while the raised entrance protects against flooding and other ground-level hazards. The architectural style of this building is a testament to Alexandru Săvulescu's skill and vision. Săvulescu, a prominent Romanian architect, was known for his ability to blend different architectural styles and create harmonious compositions that were both functional and beautiful. His work on this building showcases his mastery of classical design principles as well as his attention to detail and commitment to quality craftsmanship. Inside, the building likely features similarly grand and elegant spaces, with high ceilings, ornate moldings, and richly decorated rooms. The interior design would reflect the same eclectic blend of neoclassical and Beaux-Arts influences, creating an environment of sophistication and refinement. Large reception rooms, intricate parquet floors, and decorative fireplaces would be typical features, adding to the overall sense of luxury and grandeur. In summary, the building at Biserica Amzei 30 is a beautiful example of late 19th-century eclectic architecture. Its neoclassical symmetry, elaborate Beaux-Arts decoration, and practical design features combine to create a structure that is both aesthetically pleasing and functionally sound. Designed by the talented Alexandru Săvulescu, this building stands as a testament to the architectural and cultural richness of Bucharest during this period. Its preservation and continued use not only honor the city's historical heritage but also provide a glimpse into the architectural ideals and craftsmanship of a bygone era. ## Specialiști **Arhitectură:** Alexandru Savulescu Sursă: https://www.propertyindex.ro/residential/casa-i-alexandru-savulescu