# Casa Costa / Elena și Ion Vlădoianu

Adresă: Str. Tudor Arghezi nr. 36, Sector 1, Cartierul Batiștei, București
An construcție: 1880
Tip ansamblu: Case/Vile
Tip clădire: 1-2 niveluri
Stil arhitectural: Neoclasic
Etichete: arhitectura, arhitect, modernist, artdeco, patrimoniu, monument istoric, risc seismic

## Articol
Tudor Arghezi Nr. 36: Fosta casă Costa; 1884 reparații, schimbare ferestre, pereți despărțitori / 1911 proprietatea Elenei și a lui Ion Vlădoianu

Referințe:

- Oana Marinache - ARHITUR, Strada Dionisie Lupu și împrejurimi, Asociația și Editura Istoria Artei, 2019

Mai 2024:

ChatGPT despre stilul arhitectural al Casei Elena & Ion Vlădoianu din strada Tudor Arghezi 36:

Casa Elena & Ion Vlădoianu, built in 1884, is an exquisite example of the neoclassical architectural style that gained popularity in Bucharest during the late 19th century. Located at Tudor Arghezi 36, this building embodies the elegance and grandeur associated with the neoclassical movement, characterized by its adherence to classical Greek and Roman design principles. The house reflects the architectural tastes of the period, emphasizing symmetry, proportion, and the use of classical elements such as columns, pediments, and decorative moldings.

The façade of Casa Elena & Ion Vlădoianu is a testament to the neoclassical style, with its clear and harmonious proportions. The building is a single-story structure, which was typical for urban residences of the time, designed to convey a sense of stability and order. The symmetry of the façade is immediately apparent, with three large, evenly spaced windows that dominate the front elevation. These windows are tall and narrow, a characteristic feature of neoclassical architecture, designed to allow ample natural light into the interior while maintaining a balanced exterior appearance.

Each window is framed by classical pilasters, which are flat, rectangular columns that project slightly from the wall. These pilasters are adorned with decorative capitals, adding an element of refinement and classical reference to the façade. The use of pilasters not only reinforces the symmetry of the design but also gives the building a sense of verticality, drawing the eye upward and enhancing its stately appearance.

Above the windows, the entablature—a horizontal structure supported by the pilasters—runs along the top of the façade. The entablature is divided into three parts: the architrave, the frieze, and the cornice. In Casa Elena & Ion Vlădoianu, the architrave is relatively simple, providing a smooth transition between the windows and the more decorative frieze. The frieze is decorated with intricate moldings and motifs, reflecting classical influences and adding visual interest to the otherwise plain façade. The cornice, which projects outward from the building, is adorned with dentil moldings—a series of small, rectangular blocks that resemble teeth. This detail is a hallmark of neoclassical design, adding depth and shadow to the upper portion of the building.

The central section of the façade features an ornamental panel, situated between the two outer windows. This panel is framed by decorative moldings and features a classical motif, further emphasizing the building's adherence to neoclassical principles. The use of such motifs was intended to evoke the grandeur of ancient Greek and Roman architecture, lending the building an air of timeless elegance and cultural sophistication.

The entrance to Casa Elena & Ion Vlădoianu is discreetly positioned to the side of the main façade, maintaining the symmetrical arrangement of the windows. The doorway is framed by a simple architrave and topped with a small pediment, echoing the classical elements found elsewhere on the façade. This understated entrance contrasts with the more elaborate window treatments, highlighting the building's emphasis on symmetry and proportion over ornate detailing.

The materials used in the construction of Casa Elena & Ion Vlădoianu are typical of the period, with a stucco finish applied to the brick walls. This stucco is painted in a light color, enhancing the building's classical appearance and allowing the architectural details to stand out. The smooth, painted surface of the stucco finish also reflects light, contributing to the building's bright and inviting exterior.

The roof of Casa Elena & Ion Vlădoianu is relatively simple, with a low pitch that is not immediately visible from the street. This design choice is in keeping with the neoclassical emphasis on clean lines and minimal ornamentation. The roof is likely covered with traditional ceramic tiles, a common roofing material in Bucharest during the late 19th century. These tiles provide durability and weather resistance while maintaining the building's historical authenticity.

The interior of Casa Elena & Ion Vlădoianu, though not visible in the provided images, would likely reflect the same neoclassical principles as the exterior. High ceilings, large windows, and a symmetrical floor plan would create a sense of spaciousness and elegance. Decorative moldings, classical motifs, and carefully proportioned rooms would enhance the interior's refined atmosphere, providing a comfortable and aesthetically pleasing living space.

In conclusion, Casa Elena & Ion Vlădoianu is a fine example of neoclassical architecture in Bucharest. Its symmetrical façade, classical elements, and refined detailing embody the elegance and cultural aspirations of the late 19th century. This building not only reflects the architectural trends of its time but also serves as a reminder of Bucharest's rich historical and cultural heritage. The preservation of such structures is crucial for maintaining the city's architectural legacy and providing future generations with a tangible link to the past.

Sursă: https://www.propertyindex.ro/residential/casa-elena-ion-vladoianu