# Casa Doctor Ch. Teohari

Adresă: Str. Dionisie Lupu nr. 57, Sector 1, Cartierul Piața Victoriei - Romană, București
An construcție: 1899
Tip ansamblu: Case/Vile
Tip clădire: 2-5 niveluri
Stil arhitectural: Neoclasic
Etichete: arhitectura, arhitect, modernist, artdeco, patrimoniu, monument istoric, risc seismic

## Articol
Dionisie Lupu Nr. 57: 1898 Echert și Ecaterina Andrei vând proprietatea familiei dr. Teohari / Casa dr. Ch. Teohari, 1899 arh. Al. Pesch / 1921 garaj cu locuință șofer la etaj, arh. F. Appel

Referințe:

- Oana Marinache - ARHITUR, Strada Dionisie Lupu și împrejurimi, Asociația și Editura Istoria Artei, 2019
- Emil Fr. Appel (Arhiva de Arhitectură)
- Câmpina și modernitatea: contextul istorico-arhitectural (mențiune arh. Franz Emil Appel)
- Activitatea arhitectului Emil Fr. Appel
- Vila Basic-Crăciun, arhitect Emil Franz Appel
- Cartografierea patrimoniului modernist ascuns: I. Câmpina - proiect pilot (mențiune arhitect Emil Franz Appel)
- Caru cu Bere se construiește (mențiune arhitect Alois Pesch)

Mai 2024:

Iulie 2014:

ChatGPT despre stilul arhitectural al clădirii din strada Dionisie Lupu 57:

The building depicted in the images, designed by architect Alexandru Pesch and constructed in 1899, is a prime example of the late 19th-century architectural style, blending elements of Beaux-Arts and Neoclassicism, typical of the era in Bucharest. This period was characterized by a burgeoning architectural scene, heavily influenced by Western European trends, particularly French and Italian styles.

The facade of the building is adorned with intricate details that exemplify the Beaux-Arts style, known for its grandeur and elaborate ornamentation. The use of symmetry in the design is immediately noticeable, a hallmark of classical architecture. The building features large arched windows, framed with decorative moldings and keystones, which add a sense of elegance and height to the structure. These arched windows are divided by pilasters with Corinthian capitals, enhancing the verticality and giving the facade a stately appearance.

One of the most striking features of the building is its use of sculptural decorations. Above the windows, there are intricately carved reliefs and cartouches, which add depth and texture to the facade. These elements often depict floral motifs, cherubs, and other classical iconography, reflecting the influence of the Renaissance and Baroque periods. The balcony railings are made of wrought iron, with intricate patterns that complement the overall aesthetic of the building.

The building's entrance is marked by a grand wooden door, which is flanked by fluted columns supporting a triangular pediment. This entrance is designed to be imposing, creating a sense of arrival and importance. The door itself is likely original, showcasing the craftsmanship of the period with detailed carvings and a robust structure.

The roof of the building is another distinctive feature. It is covered with traditional tiles and includes dormer windows, which not only provide light to the attic spaces but also add to the visual interest of the roofline. The eaves of the roof are supported by decorative brackets, known as modillions, which are both functional and decorative, providing support while also adding to the classical aesthetic.

The building's exterior walls are made of stone and stucco, materials commonly used in the construction of prestigious buildings during this time. The stone gives the building a sense of permanence and durability, while the stucco allows for the intricate decorative work that adorns the facade. The use of these materials also helps in achieving the crisp, clean lines that are characteristic of Neoclassical architecture.

In terms of layout, the building is likely organized around a central hall with rooms arranged symmetrically on either side. This layout is typical of the period, providing a clear and logical flow of spaces. The central hall would have been a grand space, possibly featuring a staircase with ornate balustrades, leading to the upper floors.

The building's windows are large and generously proportioned, allowing for ample natural light to penetrate the interior. This was an important consideration in the design of homes during this period, as it contributed to the comfort and well-being of the occupants. The windows are likely to be double-hung or casement in style, both of which were common in the late 19th century.

Overall, this building is a superb example of late 19th-century architecture in Bucharest, reflecting the city's aspirations and its connections to broader European architectural trends. The attention to detail, use of classical elements, and high-quality materials all speak to the importance of this building within the urban fabric of the time. Its preservation today allows us to appreciate the craftsmanship and aesthetic values of an era that significantly shaped the architectural landscape of Bucharest.

## Specialiști
**Arhitectură:** Alois Pesch; Franz Emil Appel (garaj cu locuință șofer, 1921)

Sursă: https://www.propertyindex.ro/residential/casa-dr-ch-teohari