Într-o zi de la mijlocul lunii mai a anului 1957 se stingea, în dormitor, aşezat în fotoliul său, scriitorul Camil Petrescu. Frumoasa casă din Dorobanți are o poveste impresioantă, iar verişoara soţiei lui Camil Petrescu, Florica Ichim a dezvăluit-o. "Camil s-a folosit de banii încasaţi pentru romanul «Un om între oameni» ca să cumpere casa din Aleea Gaillac. Nevastă-sa voia casă proprietate. Camil a renovat-o după ce a cumpărat-o. Totul s-a făcut după indicaţiile lui", a spus, pentru ring, criticul de teatru Florica Ichim. Acasă la Florica Ichim se găsesc o parte din piesele de mobilier care i-au aparţinut lui Camil Petrescu, printre acestea aflându-se masa de lucru şi fotoliul în care s-a stins. "Camil şi Ghighi s-au hotărât să cumpere o casă înainte de 1953. În 1953 au divorţat. Au rupt relaţiile atunci, numai că au locuit împreună, inclusiv în casa din Aleea Gaillac, pe care au achiziţionat-o în 1955, înainte cu doi ani de moartea lui Camil. Mai târziu, în 1975, Ghighi i-a vândut casa lui Dan Iordăchescu. Copiii plecaseră în America încă din 1970, iar casa a putut-o vinde doar cu procură de la copii. Casa era în dreptul de moştenire al copiilor. Ea i-a vândut-o lui Dan Iordăchescu", ne-a povestit doamna Florica Ichim. (Realitatea TV)
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ChatGPT despre stilul arhitectural al clădirii din Intrarea Camil Petrescu 3:
The building depicted in the provided images is a stunning example of early 20th-century Romanian architecture, featuring intricate details and stylistic elements that reflect the eclectic influences of the era. This structure, with its ornate balconies, decorative reliefs, and harmonious proportions, offers a rich tapestry of architectural features that merit a closer examination.
The façade of the building is a testament to the eclectic style prevalent during the early 1900s in Romania, particularly in Bucharest. Eclecticism in architecture involves the mixing of elements from different historical styles to create something novel and unique. This building exemplifies such a fusion, drawing from Neo-Romanian and Art Nouveau influences, among others.
One of the most striking features is the semi-circular balcony, which serves as a focal point of the façade. This balcony is adorned with intricate stucco work, displaying floral motifs and other decorative patterns typical of the Art Nouveau style. The use of such elaborate detailing not only enhances the aesthetic appeal but also showcases the craftsmanship involved in the construction. The balcony's balustrade, with its elegant curves and openwork design, adds to the sense of lightness and sophistication.
Above the balcony, the building’s cornice is embellished with modillions and dentil molding, elements that hark back to classical architecture. These features create a visually pleasing transition between the upper and lower parts of the structure, emphasizing the building's verticality. The roofline is adorned with a gently sloping hipped roof, covered in traditional ceramic tiles, which is a characteristic element of Romanian architecture from this period.
The windows are framed with elaborate architraves, featuring both straight and curved lines that add depth and complexity to the façade. The large, arched windows on the ground floor are particularly noteworthy. They are surmounted by intricately carved keystones and flanked by pilasters with ornate capitals. These windows not only provide ample natural light to the interior but also serve as significant decorative elements that enhance the building's grandeur.
The entrance to the building is equally impressive. It is approached by a series of broad steps, leading to a recessed doorway framed by a richly decorated arch. The door itself is likely made of solid wood, possibly oak, with panels that are carved with intricate designs. Flanking the entrance are pilasters that rise to meet the arch, their capitals adorned with floral and geometric motifs that are in keeping with the Art Nouveau style.
The building’s exterior walls are finished in a light-colored stucco, which provides a neutral backdrop that highlights the decorative elements. This choice of material and color is typical of the period, as it not only reflects the architectural trends of the time but also serves practical purposes, such as weather resistance and insulation.
Another notable aspect of the building is the use of symmetry in its design. The façade is carefully balanced, with the central balcony and entrance flanked by evenly spaced windows. This symmetry is further emphasized by the repetition of decorative elements, such as the pilasters and window frames, which create a cohesive and harmonious appearance.
In addition to its aesthetic qualities, the building also reflects the socio-cultural context of early 20th-century Bucharest. During this period, there was a strong desire to create a national architectural identity that combined local traditions with modern influences. This building, with its blend of Neo-Romanian and Art Nouveau elements, represents an attempt to forge such an identity, celebrating Romania's cultural heritage while also embracing contemporary trends.
The building's location within a garden or a well-vegetated area, as indicated by the surrounding trees and shrubs in the images, suggests an emphasis on integrating natural and built environments. This approach is consistent with the principles of the Art Nouveau movement, which advocated for harmony between human-made structures and the natural world.
Overall, this building is a beautiful example of early 20th-century Romanian architecture, characterized by its eclectic mix of styles, intricate detailing, and harmonious proportions. It stands as a testament to the creativity and craftsmanship of its designers and builders, offering a glimpse into the architectural and cultural history of Bucharest. The building’s preservation and continued use are important for maintaining the architectural heritage of the area, providing a tangible link to the past and an inspiration for future architectural endeavors.
